2011
DOI: 10.1504/ijart.2011.037772
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The role of moral disengagement in the enjoyment of real and fictional characters

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Cited by 40 publications
(28 citation statements)
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“…But, there is no doubt that viewers do enjoy these characters and the narratives they inhabit. Recent studies also verify the appeal of these characters (Janicke & Raney, 2011;Krakowiak & Tsay, 2011;Raney & Janicke, in press). How is this possible from an ADT perspective?…”
Section: The Role Of Schema In the Liking Of Antiheroesmentioning
confidence: 74%
“…But, there is no doubt that viewers do enjoy these characters and the narratives they inhabit. Recent studies also verify the appeal of these characters (Janicke & Raney, 2011;Krakowiak & Tsay, 2011;Raney & Janicke, in press). How is this possible from an ADT perspective?…”
Section: The Role Of Schema In the Liking Of Antiheroesmentioning
confidence: 74%
“…However, Raney () has argued that individuals are so motivated to enjoy entertainment content that they justify characters' bad behaviors in an effort to maintain character liking and thereby enjoyment. Recent research supports this proposition by showing that at times individuals may be willing to excuse the bad behaviors of protagonists through a process of moral disengagement (Hartmann & Vorderer, ; Krakowiak & Tsay, ; Shafer, 2009; Tsay & Krakowiak, ).…”
Section: Affective Disposition Theorymentioning
confidence: 97%
“…The proliferation of these characters has recently attracted the attention of media scholars (e.g., Eden, Grizzard, & Lewis, ; Krakowiak & Oliver, ; Krakowiak & Tsay, ; Krakowiak & Tsay‐Vogel, ; Raney & Janicke, ; Shafer & Raney, ; Tamborini, Weber, Eden, Bowman, & Grizzard, ; Tsay & Krakowiak, ). The main question asked by researchers is “Why are people drawn to these characters?” Affective disposition theory (ADT) provides a framework for understanding the process by which individuals derive enjoyment from entertainment content; however, its applicability to MACs may be limited (see Krakowiak & Oliver, ).…”
mentioning
confidence: 99%
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“…In applying their own moral standards to narrative characters and their actions, audience members may use less strict standards with favorable characters than unfavorable characters. Several studies have found that people vary in their propensity to morally disengage, that tendency is linked to accepting immoral behavior by story characters, and that moral disengagement is linked to character liking and enjoyment of the story (Krakowiak & Tsay, ; Tsay & Krakowiak, ). Moral disengagement can be complex.…”
Section: Two Sequences In Forming Assessments About Characters and Acmentioning
confidence: 99%