2017
DOI: 10.1016/j.beproc.2016.12.009
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The roles of vocal and visual interactions in social learning zebra finches: A video playback experiment

Abstract: HighlightsZebra finches learn social information about foraging from video demonstrators.Live streaming has the same effect on observers’ behaviour as live demonstration.Silent video has the same effect on observers’ behaviour as live demonstration.Observers did not copy the video with sound.Observers did not copy when there was a decoy male present.

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Cited by 15 publications
(20 citation statements)
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“…Using video playbacks of female finches as stimuli enabled us to achieve precise experimental control over displays that could serve as social reinforcement. Zebra finches are known to learn from and sing to videos of conspecifics [22,23]. Subjects consisted of nine pairs of juvenile zebra finch genetic brothers raised by their respective parents until 35 days post-hatch (dph), the beginning of the sensorimotor song practice phase ( Figure 1A), when each brother was placed in a sound attenuated chamber equipped with a video monitor and camera ( Figure 1B) and randomly assigned to an experimental contingent condition (CC) or yoked control (YC) condition.…”
Section: Resultsmentioning
confidence: 99%
“…Using video playbacks of female finches as stimuli enabled us to achieve precise experimental control over displays that could serve as social reinforcement. Zebra finches are known to learn from and sing to videos of conspecifics [22,23]. Subjects consisted of nine pairs of juvenile zebra finch genetic brothers raised by their respective parents until 35 days post-hatch (dph), the beginning of the sensorimotor song practice phase ( Figure 1A), when each brother was placed in a sound attenuated chamber equipped with a video monitor and camera ( Figure 1B) and randomly assigned to an experimental contingent condition (CC) or yoked control (YC) condition.…”
Section: Resultsmentioning
confidence: 99%
“…This was placed at a ca.45° angle on the floor of the test box (by leaning it against a small piece of adhesive putty (Blu-tack®), and was 15 x 15 mm (to enhance visibility in the video). To ensure a highly visible disgust response, and to minimize heterogeneity among demonstrators 53 , we made the prey item as distasteful as possible by soaking the almond piece in a saturated solution of 4 g chloroquine phosphate and 30 ml of water for 1 h before being left to dry. Videos consisted of the demonstrator perching next to the prey item, before taking it in its beak to the box's perch.…”
Section: Methodsmentioning
confidence: 99%
“…Here, we investigated variation in vocal performance across conditions that are known to modulate the motivation to produce courtship song. Video playbacks of social stimuli have been used to elicit a wide range social behaviours (Evans and Marler, 1991; Fleishman and Endler, 2000; Gonçalves et al, 2000; Guillette and Healy, 2017; Oliveira et al, 1999; Ophir et al, 2005; Ord et al, 2002; Rosenthal, 1999; Uetz and Roberts, 2002; Ware et al, 2016), including courtship song in songbirds (Galoch and Bischof, 2007; Ikebuchi and Okanoya, 1999; Takahasi et al, 2005). Despite that videos can elicit courtship song, male songbirds have been found to sing less to videos of females than to live presentations of females (Ikebuchi and Okanoya, 1999).…”
Section: Introductionmentioning
confidence: 99%