The Routledge Companion to Popular Music History and Heritage

Stengs, I.L.

doi:10.4324/9781315299310

Cited by 58 publications

(6 citation statements)

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“…Die museum studies besch€ aftigen sich in mehreren Studien ebenso mit Popmusik und dem damit verbundene kulturellen Erbe, wobei soziale, kulturelle, politische und wirtschaftliche Einfl€ usse im Mittelpunkt stehen (Baker, 2018; aus Perspektive der museum studies siehe Cortez, 2017Cortez, , 2019.…”

Section: Internationaler Forschungsstandunclassified

Zum Sammeln und Ausstellen von traditioneller und populärer Volksmusik in Österreich – die Fallstudie Sammlung Wiesenhofer vor dem Hintergrund der internationalen Forschungssituation

Biedermann¹

2022

Curator The Museum Journal

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Abstrakt: Der vorliegende Beitrag beschäftigt sich mit Fragen zum Sammeln und Ausstellen des Phänomens Musik am Beispiel einer privaten Sammlung und dem damit in Verbindung stehenden materiellen und immateriellen Kulturerbe. Diese Sammlung bezieht sich auf einen besonderen Musikstil – das Genre der Volksmusik unter besonderer Berücksichtigung der volkstümlichen Musik im alpenländischen Raum in Österreich. Das Ziel des Beitrags ist dabei die Erörterung der Fallstudie vor dem Hintergrund des aktuellen internationalen Forschungsstands zum Phänomen (Volks‐)Musik in Zusammenhang mit dem immateriellen und materiellen Kulturerbe. Im Mittelpunkt der Untersuchung stehen theoretische und praktische Fragestellungen der musealen Dokumentation und Kommunikation, die sich aus dem Fallbeispiel ergeben, in das die Autorin des vorliegenden Beitrags eingebunden war. Der Beitrag zielt des Weiteren darauf auf, den theoretischen Hintergrund durch den Ansatz der Allgemeinen Museologie diskursiv zu erweitern.

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Section: Internationaler Forschungsstandunclassified

Zum Sammeln und Ausstellen von traditioneller und populärer Volksmusik in Österreich – die Fallstudie Sammlung Wiesenhofer vor dem Hintergrund der internationalen Forschungssituation

Biedermann¹

2022

Curator The Museum Journal

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“…This is in comparison to academic discussions that explore the praxis of documenting popular music heritage that institutions overlook. So far, this has been framed through the following terms, unauthorised (bottom-up, everyday, anti-heritage) in comparison to authorised (official) and self-authorised authoritative voices in industry and community (Roberts and Cohen 2014;Baker et al 2018).…”

Section: Four Baby Rave Initiativesmentioning

confidence: 99%

“…I draw on four known branded initiatives that capitalise on a continuous flow of ravers/(super)clubbers, whom I group together as EDM-parents, as a way of accounting for a complex attendee heritage and unauthored personal biographies. These two concepts offer an additional perspective on the critical framework of unauthorised popular music heritage (Roberts and Cohen 2014;Baker et al 2018). I observe that the baby rave event acts as a catalyst for what I call live heritage in which the accompanying children temporarily become the beneficiaries of their parents' cultural affiliation as EDM-children.…”

Section: Introductionmentioning

confidence: 98%

Baby Raves: Youth, Adulthood and Ageing in Contemporary British EDM Culture

Armour¹

2019

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This article begins with a reconsideration of the parameters of age in translocal EDM sound system and (super)club culture through the conceptualisation of a fluid multigenerationality in which attendees at EDM-events encompass a spectrum of ages from 0-75 years. Since the 1980s, it remains the case that the culture is fuelled through a constant influx of newcomers who are predominantly emerging youth, yet there are post-youth members in middle adulthood and later life that are also a growing body that continues to attend EDM-events. In this context, the baby rave initiative (2004-present) has capitalised on a gap in the family entertainment market and created a new chapter in (super)club and festival culture. I argue that the event is a catalyst for live heritage in which the accompanying children (aged from 0-12 years) temporarily become the beneficiaries of their parent's attendee heritage and performance of an unauthored heritage.

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“…This research perspective incorporated the mentioned aspects into a global history of museums (Visscher, 2018). Moreover, museum studies has focused on the history of popular music and its heritage by examining its social, cultural, political, and economic value (Baker, 2018; on museum studies, see Cortez, 2017;Cortez, 2019).…”

Section: Introductionmentioning

confidence: 99%

“…Other cross-disciplinary research has addressed the social, cultural, political and economic value of (popular) music (Baker, 2018). In this context, research linked to music as heritage (Bennett & Janssen, 2016) has especially dealt with specific genres such as pop and rock music (Bennett, 2009;Brandellero et al, 2014;Roberts, 2014).…”

Section: Introductionmentioning

confidence: 99%

Collecting and Exhibiting Traditional and Popular Alpine Folk Music in Austria—A Case Study

Biedermann¹

2022

Curator The Museum Journal

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This paper presents a case study dedicated to a particular genre of folk music popular in the Alpine countries, and its collection and display in Austria in connection with a project in which the author was involved. The theoretical and practical questions related to this study reflect the needs and challenges posed by this topic in terms of museum documentation and communication. The aim of the paper is to expand the current discourse in the field by discussing the relationships between this genre of music as an intangible social phenomenon and as tangible cultural heritage. The paper presents the case study in an international context of discussion on the display of music culture and the role of sound in exhibitions, and connects theoretical considerations with practical approaches.

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The Routledge Companion to Popular Music History and Heritage

Cited by 58 publications

References 0 publications

Zum Sammeln und Ausstellen von traditioneller und populärer Volksmusik in Österreich – die Fallstudie Sammlung Wiesenhofer vor dem Hintergrund der internationalen Forschungssituation

Zum Sammeln und Ausstellen von traditioneller und populärer Volksmusik in Österreich – die Fallstudie Sammlung Wiesenhofer vor dem Hintergrund der internationalen Forschungssituation

Baby Raves: Youth, Adulthood and Ageing in Contemporary British EDM Culture

Collecting and Exhibiting Traditional and Popular Alpine Folk Music in Austria—A Case Study

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