After the Great Divide 1986
DOI: 10.1007/978-1-349-18995-3_9
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The Search for Tradition: Avantgarde and Postmodernism in the 1970s

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“…L'Eve also exhibits the "compatibility of technology and desire," themes which have been repeated in much science fiction since then, for example, in the films The Stepford Wives (Forbes, 1975), Alien (Scott, 1979), Aliens (Cameron, 1986), and Blade Runner (Scott, 1982). According to Huyssen (1986), in Fritz Lang's film, Metropolis (1927 the replication engenders fear rather than desire: "The fears and perpetual anxieties emanating from ever more powerful machines are recast and reconstructed in terms of the male fear of female sexuality" (p. 36). Huyssen also claims that the ultimate technological fantasy is creation without the mother.…”
Section: The Evolution Of Everyday Creativity 249 Now Some Incursions...mentioning
confidence: 99%
“…L'Eve also exhibits the "compatibility of technology and desire," themes which have been repeated in much science fiction since then, for example, in the films The Stepford Wives (Forbes, 1975), Alien (Scott, 1979), Aliens (Cameron, 1986), and Blade Runner (Scott, 1982). According to Huyssen (1986), in Fritz Lang's film, Metropolis (1927 the replication engenders fear rather than desire: "The fears and perpetual anxieties emanating from ever more powerful machines are recast and reconstructed in terms of the male fear of female sexuality" (p. 36). Huyssen also claims that the ultimate technological fantasy is creation without the mother.…”
Section: The Evolution Of Everyday Creativity 249 Now Some Incursions...mentioning
confidence: 99%