1849
DOI: 10.2307/20646641
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The Seven Lamps of Architecture

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Cited by 277 publications
(108 citation statements)
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“…Furthermore, the supporters of stylistic restoration believed to some extent that restoration must be carried out on a heritage building with the same harmony and exact materials as the original. Some theorists rejected stylistic restoration of heritage buildings [22,61,62], stating that all signs of decay must be preserved to show the real age of a heritage building, and thus considering the age value of a heritage building. This belief included that removing signs of decay creates a counterfeit feeling related to heritage buildings related to age.…”
Section: Analysis Of Theoriesmentioning
confidence: 99%
“…Furthermore, the supporters of stylistic restoration believed to some extent that restoration must be carried out on a heritage building with the same harmony and exact materials as the original. Some theorists rejected stylistic restoration of heritage buildings [22,61,62], stating that all signs of decay must be preserved to show the real age of a heritage building, and thus considering the age value of a heritage building. This belief included that removing signs of decay creates a counterfeit feeling related to heritage buildings related to age.…”
Section: Analysis Of Theoriesmentioning
confidence: 99%
“…The historic and heritage values were the values initially ascribed to heritage sites (Hearn, 1990;Ruskin, J., 1885;Ruskin, J., 2013). Riegel, A.…”
Section: Literature Reviewmentioning
confidence: 99%
“…12 Veja-se em específico o capítulo "The lamp of memory": os edifícios do passado foram-nos confiados, mas não nos pertencem, a sua conservação não é "uma questão de simples conveniência ou de sentimento", mas de dever perante as gerações passadas e futuras, porque esses edifícios coexistem com os direitos "em parte de quem os construiu e, em parte, de todas as gerações que virão depois de nós" (RUSKIN, 1907a(RUSKIN, /1849. 13 O restauro em Inglaterra entre o início e meados do século XIX era entendido como a restituição do edifício ao momento áureo da sua criação, suprimindo-lhe os vestígios da passagem do tempo e as irregularidades de estilo (CARBONARA, 1997, p. 127 RUSKIN, 1894, p. 50-71, 82-86, 186-200;RUSKIN, 1905, p. 17-114, 147-283), e a tentar pôr em prática o seu ideal social (cf.…”
Section: Pós-unclassified