2010
DOI: 10.3138/9781442686045
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The Silvering Screen

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Cited by 29 publications
(13 citation statements)
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“…In addition, scholars have shed light on the heteronormative nature of the norms of successful ageing. First, because 'success' is described in terms of beauty, which is associated with heterosexual desirability and an idealised heterosexual form of femininity (Chivers, 2011). And secondly, because of the way 'successful' sex is usually reduced to 'heterosexual functionality' (Katz and Marshall, 2004: 65) and men's sustained ability to perform penetrative sex.…”
Section: A Twist In the Narrativementioning
confidence: 99%
“…In addition, scholars have shed light on the heteronormative nature of the norms of successful ageing. First, because 'success' is described in terms of beauty, which is associated with heterosexual desirability and an idealised heterosexual form of femininity (Chivers, 2011). And secondly, because of the way 'successful' sex is usually reduced to 'heterosexual functionality' (Katz and Marshall, 2004: 65) and men's sustained ability to perform penetrative sex.…”
Section: A Twist In the Narrativementioning
confidence: 99%
“…There is potential for resistance to these norms in older women who are embracing their grumpiness to complain about the unfair systems that decide what and whom they should desire and how they should express intimacy and sexuality -especially older queer women, whose love, in general, tends to be desexualised and who do not fit the idealised heterosexual form of youthful femininity (Chivers, 2011). Just as the words 'wilful' and 'queer', which were used as pejorative terms to dismiss people who were questioning norms in society, were reclaimed, it can be a political act for older women to retool the negative term 'grumpiness', claim it with pride, and use it to question and destabilise ageist, sexist and heteronormative structures.…”
Section: From Grumpiness To a Patchwork Of Unrulinessmentioning
confidence: 99%
“…A common way in which this is portrayed is by using the technique of mirror shots, in which an older woman becomes deeply sad when seeing her reflection and feels alienated by her older body that does not correspond with her younger self-image. Chivers (2011) refers to an example of an iconic scene in the film What Ever Happened to Baby Jane (1962, dir. Robert Aldrich) in which Jane, an ageing former actress, accidentally meets herself in the mirror and responds with shock, horror and deep sadness.…”
Section: An Archive Of Unhappy Older Womenmentioning
confidence: 99%
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“…Outros pesquisadores observaram a escassez de papéis fortes no cinema para atrizes acima de 50 anos, levando-as a recorrerem a procedimentos cirúrgicos estéticos com o intuito de prolongarem sua vida profissional (Chivers, 2011). Alguns estudos buscaram compreender os estereótipos mais frequentes de pessoas mais velhas que apareciam em diferentes textos culturais, sejam eles positivos ou negativos (Gatling, 2013;Hummert & Levy, 2002;Magoffin, 2007).…”
Section: Representações Sociais Dos Idosos: "Velho é Sempre O Outro"unclassified