This article explores representations of ageing femininities and later-in-life intimacies based on a critical, contextualised reading of two graphic novels. Narratives of later life are deeply entangled with notions of happiness. While ageing has usually been associated with decay, loss and an irreversible path to unhappiness, in recent years, there has been a shift towards a more rosy picture of an active, social, happy and fulfilling later-in-life. These happiness scripts contain a set of gendered instructions on how to achieve the good life in old age. For ageing women, they include expectations about beauty and the body, sexual desires and the temporal organisation of the life course. This article draws on Sara Ahmed’s critique on the disciplinary dynamics of the promise of happiness and the work that emotions do to value certain bodies, expressions of sexuality and life choices as good for older women and others as bad. The study found that the two graphic novels analysed ‘Bloesems in de herfst’ (Blossoms in Autumn, 2018) by Zidrou and Aimée De Jongh and ‘Bingo Love’ (2018) by Tee Franklin and Jen St-Onge, both confirm and challenge normative ideas about gender, ageing and sexuality. However, while both graphic novels redraw some lines of the prevailing scripts of happiness for ageing women, they do not erase them entirely from the frame. In the end, I will take the discussion one step further by reflecting on how representations of older women can destabilise norms about gender, sexuality and ageing and subvert disciplinary narratives about later life happiness.