In the last couple of years there have been two significant efforts to reengage Goffman's descriptions of the interaction order as a means to explain larger cultural institutions and phenomenon. Collins (2004) highlights the points of convergence between Goffman's analysis of interaction ritual and Durkheim's work on collective effervescence, morality, and solidarity, while combining them with his own theory of emotions. Collins argues that interaction rituals create positive emotions and therefore solidarity and sacred cultural symbols. These cultural symbols become the referent for ongoing interactions that are chained together and exhibit structural stability (interaction ritual chains). Alexander (2006aAlexander ( , 2006bAlexander and Mast 2006) rereads Goffman's dramaturgy through the lens of cultural studies as a means to explain large-scale social change. Alexander argues that historical events that change the world have a performative logic. He theorizes the social components and conditions under which events as performances can be "refused" with audiences to create verisimilitude, thereby communicating meanings and creating new possibilities for action. This article contributes to this emergent post-Goffman project by revisiting Goffman's analysis of deference and demeanor in light of Bourdieu's discussion of cultural capital and symbolic power.This paper has three goals. The first goal is theoretical: to build a macro-sociology for Goffman and a micro-sociology for Bourdieu by juxtaposing, integrating, and expanding their ideas. Goffman provides a virtuoso account of the interaction order sui generis, but declines to develop the notion of power that is implicit in his work. Such concerns