2022
DOI: 10.1162/leon_a_02142
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The Soundlapse Project: Exploring Spatiotemporal Features of Wetland Soundscapes

Abstract: The article discusses an interdisciplinary project aimed at highlighting the acoustical heritage of wetlands, by means of field recordings and a novel time-lapse montage method. We discuss a site-specific sound installation that was designed using original wetlands field recordings, live processing, and spatial audio multi-channel reproduction. The discussion focuses on spatial and temporal features of different types of recorded wetlands soundscapes. Future developments of this project will consider the imple… Show more

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Cited by 3 publications
(1 citation statement)
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“…Simultaneously, as part of an interdisciplinary research project exploring the acous=c a(ributes of urban wetland soundscapes (www.soundlapse.net; Otondo & Poblete 2020, Poblete et al 2021, Otondo & Rabello-Mestre 2022, environmental field recordings were conducted using Song Meter SM4 standalone acous=c recorders (Wildlife Acous=cs, Maynard, MA, USA) on three urban wetlands in the city of Valdivia (39°49'8"S; 73°14'34"W): Angachilla, Miraflores, and Parque Urbano El Bosque. These loca=ons were selected to capture as much sound diversity as possible in each site, trying to minimize traffic noise pollu=on that could mask specific sound sources of the urban environment (i.e., the recorders were not located near busy streets, but s=ll captured vehicle sounds and other sources of anthropogenic noise).…”
Section: Methodsmentioning
confidence: 99%
“…Simultaneously, as part of an interdisciplinary research project exploring the acous=c a(ributes of urban wetland soundscapes (www.soundlapse.net; Otondo & Poblete 2020, Poblete et al 2021, Otondo & Rabello-Mestre 2022, environmental field recordings were conducted using Song Meter SM4 standalone acous=c recorders (Wildlife Acous=cs, Maynard, MA, USA) on three urban wetlands in the city of Valdivia (39°49'8"S; 73°14'34"W): Angachilla, Miraflores, and Parque Urbano El Bosque. These loca=ons were selected to capture as much sound diversity as possible in each site, trying to minimize traffic noise pollu=on that could mask specific sound sources of the urban environment (i.e., the recorders were not located near busy streets, but s=ll captured vehicle sounds and other sources of anthropogenic noise).…”
Section: Methodsmentioning
confidence: 99%