The ‘Spaghettification’ of Performativity Across Cultural Boundaries: The Trans-culturality/Trans-Spatiality of Digital Communication As an Event Horizon for Speech Acts

Ricca, Mario

doi:10.1007/s11196-021-09880-4

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2022

2024

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Cited by 8 publications

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“…Erin Manning again: "The movement within becomes a movement without, not internal-external, but folding … This means you are never stopped." 37…”

mentioning

confidence: 99%

The Real Law

Philippopoulos‐Mihalopoulos

2022

Int J Semiot Law

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Three movements that trace a certain understanding of law, from textual to spatial/material to spectacularised. The passages between the three movements are performed with the help of a visualisation that keeps on evolving, following the narrative of the legal understanding. This is accompanied by a thick description of instances from various iterations of an art performance/participatory game I have been performing in the past few years at various art and law institutions called escaping the lawscape. These hermeneutic tools help me situation the law from a critique of Habermasian rationality to a critique of Luhmannian functionality, only to arrive to a full aestheticisation of contemporary law as a spectacle that needs to prove its validity through social media and other techniques of packaging.

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“…Erin Manning again: "The movement within becomes a movement without, not internal-external, but folding … This means you are never stopped." 37…”

mentioning

confidence: 99%