Linguists have often remarked upon the polysemous nature of love, whereby the term encompasses a wide diversity of emotional relationships. Several typologies have been constructed to account for this diversity.However, these tend to be restricted in scope, and fail to fully represent the range of experiences signified by the term 'love' in discourse. In the interest of generating an expanded typology of love, encompassing its varied forms, an enquiry was conducted into relevant concepts found across the world's cultures, focusing on so-called untranslatable words. Through a quasi-systematic search of published and internet sources, 609 relevant words were identified. These were organised through a version of grounded theory into 14 categories, representing 14 different forms or 'flavours' of love. The result is an expanded theoretical treatment of love, allowing us to better appreciate the nuances of this most cherished and yet polysemous of concepts. ;48:134-152. wileyonlinelibrary.com/journal/jtsb love vividly as "an AustroHungarian Empire uniting all sorts of feelings, behaviors, and attitudes, sometimes having little in common." As such, while most words are polysemous, linguists suggest that love is "polysemous in the extreme," as Berscheid (2010, p.6) puts it.Given its polysemous nature, scholars have attempted to create theoretical typologies of different forms of love. One early and particularly influential effort was by John Lee (1973, 1977), who drew on distinctions elucidated in the classical age to identify six 'styles' of loving. (Five of these types were adapted from classical Greek, while the sixth, ludus, is Latinate.) Lee suggested there were three 'primary' forms of love: érōs (romantic, passionate), ludus (flirtatious, playful), and storgē (filial, fraternal, companionate). By pairing these, three further types arose from the permutations: prâgma (rational, sensiblea combination of ludus and storgē), mania (possessive, dependenta combination of érōs and ludus), and agápē (charitable, selflessa combination of érōs and storgē). Lee's typology subsequently received experimental validation, particularly from Hendrick and Hendrick (1986), who devised a 42-item self-report scale and corroborated the six factor structure through factor analysis. Further work then sought to elucidate patterns of association between the types and other factors, For instance, exploring personality attributes, Mallandain and Davies (1994) reported that self-esteem was positively correlated with érōs, and negatively with mania, storgē and agápē. Conversely, emotionality and impulsivity were both positively linked to mania and ludus, while emotionality was negatively associated with érōs.Around the same time, an alternative theoretically-derived typology was developed by Robert Sternberg (1986). His 'triangular' theory of love suggested it arises from the presence and interaction of three principle components: intimacy, passion, and decision/commitment. Their permutations then give rise to seven types of love: liking (int...