Abstract:This article analyzes two comic incidents portrayed in Gadda’s That Awful Mess on the Via Merulana and its adaptation The Facts of Murder by Pietro Germi. We argue that the inclusion of what we term ‘stereotypical gags’ in the detective novel functions as a modernist device that brings about a distancing of the audience and acts to distort the boundaries of genre. We show how the stereotypical gag both foregrounds and backgrounds the authorial humorous agency and results in satire and parody, respectively. In … Show more
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