The Language of Emotion 1969
DOI: 10.1016/b978-1-4832-3041-2.50008-7
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The Structure of Emotional Meaning

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Cited by 29 publications
(40 citation statements)
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“…This finding does seem to contradict Davitz' (1964) assertion that only the perceived activity level of emotions is comnaunicated by nonverbal aspects of speech whereas the evaluation and potency dimensions of emotional meaning are represented by verbal cues. If this assumption held, one would expect interaction effects in the present results, as the ratings of the evaluational dimension of the inferred emotions should differ between the rater group listening to the original, unmasked speech samples and all other groups of raters.…”
Section: Discussioncontrasting
confidence: 76%
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“…This finding does seem to contradict Davitz' (1964) assertion that only the perceived activity level of emotions is comnaunicated by nonverbal aspects of speech whereas the evaluation and potency dimensions of emotional meaning are represented by verbal cues. If this assumption held, one would expect interaction effects in the present results, as the ratings of the evaluational dimension of the inferred emotions should differ between the rater group listening to the original, unmasked speech samples and all other groups of raters.…”
Section: Discussioncontrasting
confidence: 76%
“…The present data do not allow strong inferences as to which paralinguistic cues specifically carry evaluational information, but the patterns of correlations in Table VII seem to suggest that amplitude and rate of speech are related to ratings of the pleasanmess of an emotion. In spite of his numerical results, Davitz' (1964) listing of the vocal cues associated with certain emotions tends to indicate the important role of amplitude, rate of speech~ and, in addition, pitch level and intonation contour (both in terms of pitch variations and upward or downward slope) in relation to evaluative aspects of the respective emotions. Of these variables, only amplitude and pitch level and variation remain unaffected by random splicing whereas rate of speech is partially masked and the shape of the pitch contour is broken up completely.…”
Section: Discussionmentioning
confidence: 90%
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