The Symphonies of Joseph Haydn

LaRue, Jan; Landon, H. C. Robbins

doi:10.2307/891916

Cited by 12 publications

(1 citation statement)

References 0 publications

Supporting

Mentioning

Contrasting

Order By: Relevance

“…C major has been associated with pomp or festivity, e.g. (Landon, 1955). These affirmations are true for composers and music theorists or connoisseurs.…”

Section: Introductionmentioning

confidence: 92%

Music tonality emotions in Brazilian musical-theory naïve individuals

Herbella,

Vaiano

2023

Percepta

View full text Add to dashboard Cite

It is elusive if musical-theory naïve individuals have the same emotional perception as pro-fessionals. This study aims to investigate emotions associated with music keys. We asked 40 musical-theory naïve individuals to label keys. Positive, negative, and neutral emotions were referred by 45, 20, and 34% of the participants for major keys, and 20, 45, and 34% of the par-ticipants for minor keys. There was no correlation between key signature and emotion. Our study showed that music naïve individuals: associated major keys to positive emotions and minor keys to negative emotions in less than half the time associated neutral emotions to one-third of the tonalities; minor keys tended to correlate with the number of accidentals in the key signature.

show abstract

“…C major has been associated with pomp or festivity, e.g. (Landon, 1955). These affirmations are true for composers and music theorists or connoisseurs.…”

Section: Introductionmentioning

confidence: 92%

Music tonality emotions in Brazilian musical-theory naïve individuals

Herbella,

Vaiano

2023

Percepta

View full text Add to dashboard Cite

show abstract

Das allen Einkunftsarten zugrunde liegende Individualprinzip

Stollenwerk¹

1993

Beurteilungseinheit Der Ertragsteuerlichen Steuerbarkeit

View full text Add to dashboard Cite

The Aria in Opera Seria, 1725–1780

Robinson¹

1961

Proc. R. Music. Assoc.

View full text Add to dashboard Cite

Of the two types of Italian opera, ‘opera seria’ and ‘opera buffa’, that existed in the eighteenth century, opera seria is the one which has received more adverse comments from modern historians. The artificial division of its text and music into arias and recitative, its stereotyped plots, its concert-like and undramatic character, are easily recognised weaknesses. Musicians, moreover, have not only admired Gluck but sympathised with the sentiments expressed in his preface to Alceste and have therefore concluded that the conditions and standards he rebelled against promoted a decidedly inferior art. Perhaps for this reason a comprehensive study of the aria in opera seria has rarely been undertaken.

show abstract

The Symphonies of Joseph Haydn

Cited by 12 publications

References 0 publications

Music tonality emotions in Brazilian musical-theory naïve individuals

Music tonality emotions in Brazilian musical-theory naïve individuals

Das allen Einkunftsarten zugrunde liegende Individualprinzip

The Aria in Opera Seria, 1725–1780

Contact Info

Product

Resources

About