In this work, using spontaneous expression of white skin color preference by Black Brazilian children as stimulus, we seek to examine the construction and performance of racial subjectivity in Black children. Drawing on a range of psychoanalytic theories, we strive to develop a psychoanalytic understanding of racial formation that is complex and non-essentializing. The paper concludes with an examination of the possibilities of pedagogical interventions that might provide space for Black children to occupy and perform more expansive racial identities, assisted by teachers who embody receptivity, a capacity for positive mirroring, and an ability to practice mentalizing pedagogies.
Problematizing racial subjectivity in childrenThe study of racial formation in children is vexed, perhaps no more so than by the outsize influence of the racial preference doll studies conducted by Kenneth and Mamie Clark in the 1950s (see below). These studies were hugely influential in leading to the landmark U.S. desegregation case, Brown vs Board of Education of Topeka in 1954. The argument in the Clark studies is beguilingly alluring: Black children's preference for white dolls suggests deep racial scars. Beverly Stoute (2018) cites an example from her own contemporary clinical work that nicely captures the damage theory of racial injury. She describes an adult of South-Asian origin, who, looking back at her childhood, remarked: "My early conception of myself was that I was an ugly damaged thing" (p. 340). Stoute's view is more nuanced, and she notes evidence from U.K. and U.S. studies suggesting that while white children may have the luxury of an unexamined univocal racial identification, Black children have to be more versatile in their racial performativity. She cites contemporary research that suggests that while Black mothers in the U.S. and U.K. raise their children to be bi-culturally competent, "British and American white children aged 6-10 years demonstrated a consistent implicit group preference for white racial groups CONTACT Ana Archangelo