“…But it is through mythological narrativisations of the canon, aesthetic‐material expressions of reverence that iconicity (Bartmanski, ; Inglis, ) is constructed and represented, and it is through the hearsay and gossip that it radiates through fields and networks. That intellectuals are often transformed into shared points of reference and symbols existing relatively independently of social structures in the sphere of symbolic reality is clear, for example, in Bortolini's work on Bellah (2012) where the author argues that “eminent intellectuals may find it difficult to have their ideas recognized precisely because they are famous” (Bortolini, , p. 188) and discussed the fictional “avatar” (Bortolini, , p. 202) which eclipses the real author. Nonetheless, there remains a considerable lacuna in the literature when it comes, for example, to the aesthetic and generally nontextual representations of intellectuals in the public sphere.…”