“…It clashes with male-oriented “rational” and religious patterns of suppression, acceptance of divine judgment, and concern about the transmigration of the soul (Das, 1986; Gamliel, 2014). The femininity of wailing is associated with its being viewed as an “affective discourse” (Abu-Lughod, 1993), “wept thoughts” (Feld, 1995), a “symbolic force” (Briggs, 1993), and a creative medium for a subversive female message (Bourke, 1993; Holst-Warhaft, 1995; Raheja & Gold, 1994). Wailing’s subversive aspect is attributed not only to the social demands faced by women but to a female preference for the concretization of death and the fomenting of its terror by turning to the deceased, dealing with the body and the grave, loss of self-control, self-mutilation, trance, and so forth (Bourke, 1993; Briggs, 1993; Holst-Warhaft, 1995).…”