The value of the serious leisure perspective in understanding cultural capital embodiment in festival settings

Abstract

Festivals have been conceptualised as serious leisure activities as well as arenas for cultural capital acquisition and embodiment. However, there is still theoretical confusion surrounding the process of cultural embodiment, especially in leisure practices. This article suggests that the serious leisure perspective, in combination with cultural capital ideas, offers a means of deepening understanding of how cultural capital can be embodied in festival settings. To make its arguments, the article draws on qualitative data collected at two long-established literary festivals, one in Ireland and one in Italy. Observations and interviews with festival participants were used to develop an understanding of participants’ cultural capital embodiment. The article suggests that the serious leisure perspective is a valuable theory to throw light on three elements of cultural embodiment at festivals: (1) body; (2) pre-existing cultural resources; (3) time. Interlinking serious leisure with cultural capital leads to an in-depth analysis of how culture is embodied during festivals. This article demonstrates the value of using serious leisure and the embodied state of cultural capital ideas in tandem to further understand cultural embodiment in festivals. The study concludes by suggesting potential future studies and areas of research.

Maintaining Connections during the Pandemic: Rural Arts Festivals and Digital Practices

“…Writing specifically in rural contexts, researchers have noted the role of festivals in reproducing collective identities and cultural practices, fostering social and cultural cohesion, developing cultural capital, fostering local development and generating tourism [4,5,7,[26][27][28]. Moreover, festivals of all kinds can be understood as social and cultural experiences that diverge from the mundanity of everyday life and have the capacity to temporarily transform ordinary places into spaces that offer new meanings and sensations [24,29,30].…”