Proceedings of the 5th International Conference on Arts, Design and Contemporary Education (ICADCE 2019) 2019
DOI: 10.2991/icadce-19.2019.112
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The Value Significance and Protection Path of the Inheritance of Intangible Cultural Heritage Taking Cantonese Clock Design and Manufacture Techniques as an Example

Abstract: Cantonese clock manufacture technique is the precious cultural wealth of the Chinese nation. It is necessary to take measures for better protection and inheritance of traditional culture such as Cantonese clock and to present the traditional intangible cultural heritage in a form that meets the needs of modern life and is combined with the development of the times and modern life style, which is of far-reaching significance for building a strong economic and cultural country.

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“…The introduction of Bourdieu's theory of cultural capital has sparked a hot topic of discussion about culture and its production in the Western academic world. David Crosby, an Australian scholar, explains that, in addition, “cultural capital is the accumulation of cultural values in the form of wealth.” In addition, he himself tries to divide “cultural capital” into “tangible cultural capital” and “intangible cultural capital” [ 18 ]. The process of accumulation of tangible resources and tangible cultural capital generally occurs in buildings, sites, art museums, and a large number of other cultural artifacts, such as paintings, sculptures, and many other cultural artifacts that are widely available in the form of their private objects and will eventually be widely attributed with a specific cultural meaning (often referred to as “cultural heritage”).…”
Section: Research Methodology and Materialsmentioning
confidence: 99%
“…The introduction of Bourdieu's theory of cultural capital has sparked a hot topic of discussion about culture and its production in the Western academic world. David Crosby, an Australian scholar, explains that, in addition, “cultural capital is the accumulation of cultural values in the form of wealth.” In addition, he himself tries to divide “cultural capital” into “tangible cultural capital” and “intangible cultural capital” [ 18 ]. The process of accumulation of tangible resources and tangible cultural capital generally occurs in buildings, sites, art museums, and a large number of other cultural artifacts, such as paintings, sculptures, and many other cultural artifacts that are widely available in the form of their private objects and will eventually be widely attributed with a specific cultural meaning (often referred to as “cultural heritage”).…”
Section: Research Methodology and Materialsmentioning
confidence: 99%