The Vast Project: Valorisation of History and Landscape for Promoting the Memory of Wwi

Nocerino, Erica; Menna, Fabio; Morabito, Daniele; Remondino, Fabio; Toschi, I.; Abate, D.; Ebolese, D.; Farella, Elisa Mariarosaria; Fiorillo, Fausta; Minto, Simone; Rodríguez‐Gonzálvez, Pablo; Slongo, C.; Speraj, M. G.

doi:10.5194/isprs-annals-iv-2-w2-179-2017

Cited by 4 publications

(2 citation statements)

References 12 publications

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“…The authors aimed to provide an understanding of the actual methods of data fusion and clarify some open research issues. In Nocerino et al, (2017) 3D surveying and modelling techniques have been exploited to produce 3D digital models of structures and objects, along with virtual tours, communication material and a WebGIS of the area. All the products are available on the web for valorisation, educational and communication purposes.…”

Section: Multi-modal Digital Documentationmentioning

confidence: 99%

Multi-Modal Digital Documentation and Visualization of the Unesco Painted Churches in Troodos (Cyprus)

Abate

Faka

Toumbas

et al. 2022

Int. Arch. Photogramm. Remote Sens. Spatial Inf. Sci.

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Abstract. In 1985, the World Heritage Committee inscribed the site “Painted Churches in the Troodos Region” of the Republic of Cyprus on the UNESCO World Heritage List. The latter included nine Byzantine and Post Byzantine Churches to which a tenth church was added in 2001. In the framework of the IH-AT project, all the churches and the premises in their proximities were analysed using a wide array of non-destructive digital methodologies coupled with more traditional art-historical studies. Image- and Range-based techniques were used to document all the morphological features of the buildings with the final goal of understanding their humble architecture. Additionally, a Ground Penetrating Radar (GPR) was performed to investigate the presence of buried structures that, according to historical sources, were once surrounding the religious sites.For the exploitation and visualization of the extensive database by the scientific community and the public at large, a web portal comprised of reliable and efficient technology-ready tools have been developed.The proposed methodology was implemented to provide new insights on the churches’ architectural features; confirm the presence or absence of buried remains of archaeological interest; and help heritage professionals, with lack or minimal programming skills, to customize online visualizations of 3D interactive models.

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Section: Multi-modal Digital Documentationmentioning

confidence: 99%

Multi-Modal Digital Documentation and Visualization of the Unesco Painted Churches in Troodos (Cyprus)

Abate

Faka

Toumbas

et al. 2022

Int. Arch. Photogramm. Remote Sens. Spatial Inf. Sci.

Self Cite

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“…and/or human factors (e.g., mass tourism, pollution, etc.) [2,3]. Digital reconstruction implies the representation of the artefact or monument in its original state [4].…”

Section: Introductionmentioning

confidence: 99%

Diachronic Reconstruction and Visualization of Lost Cultural Heritage Sites

Rodríguez‐Gonzálvez

Campo

Muñoz-Nieto

et al. 2019

IJGI

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Cultural heritage (CH) documentation is essential for the study and promotion of CH assets/sites, and provides a way of transmitting knowledge about heritage to future generations. The integration of the fourth dimension into geospatial datasets enables generating a diachronic model of CH elements, namely, a set of three-dimensional (3D) models to represent their evolution in various historical phases. The enhanced four-dimensional (4D) modeling (3D plus time) pursues a better understanding of the CH scenario, enriching historical hypotheses as well as contributing to the conservation and decision-making process. Although new geomatic techniques have reduced the amount of fieldwork, when put together, the geometric and temporal dimensions imply the interpretation of heterogeneous historical information sources and their integration. However, this situation could reach a critical point when the study elements are no longer present. The main challenge is to harmonize the different historical and archaeological data sources that are available with the current remains in order to graphically rebuild and model the lost CH assets with a high degree of reliability. Moreover, 4D web visualization is a great way to disclose the CH information and cultural identity. Additionally, it will serve as a basis to perform simulations of possible future risks or changes that can happen during planned or hypothetical restoration processes. This paper aims to examine the study case of a diachronic reconstruction by means of a mobile laser system (MLS) and reverse modeling techniques for a lost urban CH element: the citadel or Alcázar gate of Ávila. Within this aim, the final model is evaluated in terms of the consistency of the historical sources to assess its suitability considering the constructive interpretations that are required to integrate heterogenous data sources. Moreover, geometric modeling is evaluated regarding the current remains and its surroundings. Finally, a web 4D viewer is presented for its dissemination and publicity. This paper is an extended and improved version of our paper that was published in the 2018 ISPRS Technical Commission II Symposium, Riva del Garda, Italy, 3–7 June 2018.

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Analysis of a SLAM-Based Laser Scanner for the 3D Digitalization of Underground Heritage Structures. A Case Study in the Wineries of Baltanas (Palencia, Spain)

Camiña

Sánchez-Aparicio²,

Corrochano³

et al. 2022

Communications in Computer and Information Science

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The Vast Project: Valorisation of History and Landscape for Promoting the Memory of Wwi

Cited by 4 publications

References 12 publications

Multi-Modal Digital Documentation and Visualization of the Unesco Painted Churches in Troodos (Cyprus)

Multi-Modal Digital Documentation and Visualization of the Unesco Painted Churches in Troodos (Cyprus)

Diachronic Reconstruction and Visualization of Lost Cultural Heritage Sites

Analysis of a SLAM-Based Laser Scanner for the 3D Digitalization of Underground Heritage Structures. A Case Study in the Wineries of Baltanas (Palencia, Spain)

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