2018
DOI: 10.1017/s1750270518000015
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THE VIEW FROM THE MOUNTAIN (OROSKOPIA) IN GREEK AND LATIN LITERATURE

Abstract: This paper argues for the existence of the topos of oroskopia in Greek and Latin literature. Gods and mortals are positioned on mountains to watch events or landscapes below. The view from above symbolises power (in the case of the gods) or an attempt at control or desire for power (in the case of mortals). It may also suggest an agreeable and relaxed spectatorship with no active involvement in the events watched, which may metaphorically morph into a historian's objectivity or a philosopher's emotional tranqu… Show more

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Cited by 5 publications
(1 citation statement)
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“…The Alps, which according to Cato and Livy protect Italy in the manner of a wall. 14 This statement has been read as evidence for Cato having "had a conception of the shape and the landscape of the north, and how it related both physically and symbolically to Italy." 15 It could perhaps be argued that the wall analogy cannot have been entirely accurate at Cato' s time, since the areas between the Apennines and the Alps were then known as Gallia Cisalpina in accordance with the Romans' ethnonym for the Gauls, who were thought to make up a majority of the area' s inhabitants.…”
mentioning
confidence: 99%
“…The Alps, which according to Cato and Livy protect Italy in the manner of a wall. 14 This statement has been read as evidence for Cato having "had a conception of the shape and the landscape of the north, and how it related both physically and symbolically to Italy." 15 It could perhaps be argued that the wall analogy cannot have been entirely accurate at Cato' s time, since the areas between the Apennines and the Alps were then known as Gallia Cisalpina in accordance with the Romans' ethnonym for the Gauls, who were thought to make up a majority of the area' s inhabitants.…”
mentioning
confidence: 99%