“…On the other hand, an important area of inquiry that draws together much of the participatory work with young people concerns the ways in which youth-focused methods can be decolonizing in and of themselves through the use of participatory digital and other arts-based methods (Gubrium & Harper, 2013;Gubrium, Harper, & Otanez, 2015). Participatory interventions are typically part of community-based research, drawing on audio, visual, and performance-based research methods such as photovoice, participatory video, drawing and map making, digital storytelling, theater performance, radio production, podcasts, and collage (see Mitchell, 2011a;Mitchell, 2011b;Moletsane, Mitchell, Smith, & Chisholm, 2008;Clacherty, 2005;Denov, Doucet, & Kamara, 2012;Didkowsky, Ungar, & Liebenberg, 2010;Gubrium, 2009;Liebenberg, 2009aLiebenberg, , 2009bMalone, 2008). Gonick's (2016) work in film with Inuit girls in Iqaluit, Liebenberg's (www.youthspacesandplace s.org) work with participatory video with Aboriginal youth in Atlantic Canada, Mitchell (2015) work with rural South African girls and the use of cellphilms, and Author's work with youth in the area of photovoice in Southern and Eastern Africa (see Mitchell, 2009;Mitchell, 2011a, b;Moletsane et al, 2007) all point to the ways in which these various narrative modes build on storytelling conventions of communities and as such have the potential to both subvert some of the researcher-researched power dimensions and contribute to a milieu where the perspectives of young people are recognized.…”