The Visual Language of Holograms

Dawson, Paula

doi:10.5772/18541

Cited by 5 publications

(4 citation statements)

References 15 publications

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“…Early studies, such as those by Barabas and Bove, have demonstrated how holography enhances the visual presentation of artefacts, offering a three-dimensional perspective that changes with the viewer's movement 3 . This dynamic visual engagement has been noted to augment visitor interest and retention, providing an immersive experience beyond traditional two-dimensional displays 5 . Recent research in this area continues to explore the broader implications of these interactions, particularly regarding visitor satisfaction and educational outcomes.…”

Section: Display Of Holograms and Museum Visitor Experiencementioning

confidence: 99%

An investigation into emotional engagement of holography for museum display

Xu,

Wang,

Sun

et al. 2024

International Workshop on Holography and Related Technologies (IWH2022 &Amp; 2023)

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Section: Display Of Holograms and Museum Visitor Experiencementioning

confidence: 99%

An investigation into emotional engagement of holography for museum display

Xu,

Wang,

Sun

et al. 2024

International Workshop on Holography and Related Technologies (IWH2022 &Amp; 2023)

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“…Indeed, a hologram is an illusion of reality [36]. Its use is not only aimed at arousing amazing reactions in visitors, thanks to its magical effect.…”

Section: Holographic Showcase and Its Integration With Tuismentioning

confidence: 99%

Accessibility, Natural User Interfaces and Interactions in Museums: The IntARSI Project

Pietroni¹,

Pagano²,

Biocca³

et al. 2021

Heritage

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In a museum context, people have specific needs in terms of physical, cognitive, and social accessibility that cannot be ignored. Therefore, we need to find a way to make art and culture accessible to them through the aid of Universal Design principles, advanced technologies, and suitable interfaces and contents. Integration of such factors is a priority of the Museums General Direction of the Italian Ministry of Cultural Heritage, within the wider strategy of museum exploitation. In accordance with this issue, the IntARSi project, publicly funded, consists of a pre-evaluation and a report of technical specifications for a new concept of museology applied to the new Museum of Civilization in Rome (MuCIV). It relates to planning of multimedia, virtual, and mixed reality applications based on the concept of “augmented” and multisensory experience, innovative tangible user interfaces, and storytelling techniques. An inclusive approach is applied, taking into account the needs and attitudes of a wide audience with different ages, cultural interests, skills, and expectations, as well as cognitive and physical abilities.

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“…The Pepper's Ghost effect is an apparition of something that does not effectively exist but appears as if it was just in front of our eyes. It is an illusion of reality [25].…”

Section: Pepper's Ghost and The Illusion Of Realitymentioning

confidence: 99%

Bringing the Illusion of Reality Inside Museums—A Methodological Proposal for an Advanced Museology Using Holographic Showcases

Pietroni

Ferdani

Forlani³

et al. 2019

Informatics

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The basic idea of a hologram is an apparition of something that does not exist but appears as if it was just in front of our eyes. These illusion techniques were invented a long time ago. The philosopher and alchemist Giovanni Battista della Porta invented an effect that was later developed and brought to fame by Prof. J. H. Pepper (1821–1900) and applied in theatrical performances. The innovation nowadays consists in the adopted technology to produce them. Taking advantage of the available digital technologies, the challenge we are going to discuss is using holograms in the museum context, inside showcases, to realize a new form of scenography and dramaturgy around the exhibited objects. Case studies will be presented, with a detailed analysis of the EU project CEMEC (Connecting Early Medieval European Collections), where holographic showcases have been designed, built and experimented in EU museums. In this case, the coexistence in the same space of the real artifact and the virtual contents, and interior setup of the showcase, its dynamic lighting system, the script and the sound, converge to create an expressive unity. The reconstruction of sensory and symbolic dimensions that are ‘beyond’ any museum object can take the visitor in the middle of a lively and powerful experience with such technology, and represents an advancement in the museological sector. User experience results and a list of best practices will be presented in the second part of the paper, out of the tests and research activities conducted in these three years of the project.

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The Visual Language of Holograms

Cited by 5 publications

References 15 publications

An investigation into emotional engagement of holography for museum display

An investigation into emotional engagement of holography for museum display

Accessibility, Natural User Interfaces and Interactions in Museums: The IntARSI Project

Bringing the Illusion of Reality Inside Museums—A Methodological Proposal for an Advanced Museology Using Holographic Showcases

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