The Visual Music Film

Mollaghan, Aimee

doi:10.1057/9781137492821

Cited by 12 publications

(4 citation statements)

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“…Music has a significant impact on shaping the experience of watching a movie (Mollaghan, 2015). The tense and frightening effect is lost if a war or horror movie is muted.…”

Section: Musical Scoresmentioning

confidence: 99%

Aesthetic Morphology of Animation

Wikayanto,

Damayanti,

Grahita

et al. 2023

Harmonia

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Aesthetic morphology does not judge whether a work is good or bad but is a study of form in art that focuses on description, comparison, and stylistic analysis. Aesthetic morphology emphasizes great attention to the discussion of form, content, and style. However, this theory is still general, and there needs to be more research that explicitly discusses how it applies to animated artworks. This research will use the Comprehensive Literature Review (CLR) method. CLR is a methodological approach for critical and in-depth research activities on a particular topic in several stages of the research process. The CLR research process consists of three phases: exploration, interpretation, and dissemination. The result of this research is that the form consists of aspects of animation design, movement and kinetics, and sound and structural design. The content aspect consists of 2 main elements: story and character. Meanwhile, the style aspect is influenced by two main elements, namely the technology used in the production process and the appearance of the animation. The results of this research are expected to be used to explore the characteristics of animation works of certain creators, countries/locations, or periods in the history of the development of the aesthetic form of animation in the world.

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“…Music has a significant impact on shaping the experience of watching a movie (Mollaghan, 2015). The tense and frightening effect is lost if a war or horror movie is muted.…”

Section: Musical Scoresmentioning

confidence: 99%

Aesthetic Morphology of Animation

Wikayanto,

Damayanti,

Grahita

et al. 2023

Harmonia

View full text Add to dashboard Cite

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“…Premda obilježena značajkama vremena i romantičarskim idealom, spomenuta istraživanja danas se, također, mogu promatrati u kontekstu razvoja kompjutorske grafike, odnosno formalne organizacije/produkcije prikazivačke slike generirane vektorskom grafikom (Betancourt, 2013: 71). Zbog svojeg konceptualnog oslanjanja na ideju glazbe, spomenuta struja filmova često se i naziva vizualnom glazbom (Mollaghan, 2015(Mollaghan, , 2019. Ako pogledamo klasični Richterov film, npr.…”

Section: Refleksije Prošlosti -Vizualna Glazba I Geometrijaunclassified

“…Pri analizi apstraktnih filmova prve avangarde i kozmičkih filmova šezdesetih godina, Mollaghan uvodi pojmove formalnog apsolutnog i spiritualnog apsolutnog (usp. Mollaghan, 2015Mollaghan, , 2019 koji se međusobno prožimaju i obilježavaju spomenuti tip filma.…”

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Apstraktni film – izlagačko-doživljajna obilježja

Obad¹

2020

Filoz. istraž. (Online)

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U članku se razmatra specifična svrha postupaka i doživljaja koje nastoje generirati različite eksperimentalističko-filmske struje apstraktnog filma. Namjera je prikazati na koji način apstraktni film zaokuplja našu pažnju te pokazati kako on upravo i računa na tip raspoloženja u situacijama odmaka od nužde snalaženja (kauzalne logike), na prepuštanje percepciji neobičnih vizualno-zvukovnih nadražaja koji potiču drugačija emotivna i asocijativna polja. Analizirat će se izlagački elementi različitih struja apstraktnog filma, oslanjajući se prvenstveno na klasične primjere apstraktnog filma i animacije (braća Whitney, McLaren, Richter i Eggeling i dr.).

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“…23 These abstract visual displays themselves were often inspired by innovative filmmakers such as John and James Whitney, and Jordan Belson; both James Whitney and Jordan Belson had works shown as part of the Vortex Concerts, live events which combined abstract film with music in live spaces at a series of performances at the Planetarium in San Francisco. 24 These filmmakers created films that were often termed psychedelic, or "visionary", in that some of their films were linked to altered states and spiritual experiences 25 : James Whitney's Lapis (1966), for example, features constantly evolving mandala patterns accompanied by a sitar raga, which invoked alternative forms of non-Western spirituality in vogue amongst psychedelic elements of the counterculture. The fluid, evolving patterns of the film would also have been conducive to viewing under the influence of hallucinogenic drugs, which were popular with the 1960s counterculture and often used to access non-normative states.…”

Section: Digital Delirium: Danny Perezmentioning

confidence: 99%