2017
DOI: 10.1080/00076791.2017.1369962
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The work of shopping: Resellers and the informal economy at the goodwill bins

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Cited by 13 publications
(15 citation statements)
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“…This immeasurable river of stuff that flows, unseen, through communities is often managed at the local scale by community reuse organizations. These small organizations are a feature of towns and cities across the United States, yet they are under-studied in the academic literature, which has tended to focus on larger organizations (see, for example, Minter 2019; Crewe et al 2003;Halvorson 2012;Larsen 2019;Ayres 2019) or direct peer-to-peer exchanges like garage sales (Herrmann 1997(Herrmann , 2015Crawford 2014) . 1988;Albinsson and Yasanthi 2012).…”
Section: Literature Review: Waste and Waste Workmentioning
confidence: 99%
“…This immeasurable river of stuff that flows, unseen, through communities is often managed at the local scale by community reuse organizations. These small organizations are a feature of towns and cities across the United States, yet they are under-studied in the academic literature, which has tended to focus on larger organizations (see, for example, Minter 2019; Crewe et al 2003;Halvorson 2012;Larsen 2019;Ayres 2019) or direct peer-to-peer exchanges like garage sales (Herrmann 1997(Herrmann , 2015Crawford 2014) . 1988;Albinsson and Yasanthi 2012).…”
Section: Literature Review: Waste and Waste Workmentioning
confidence: 99%
“…There are various ways a consumer can engage with sustainable fashion including: upcycling, repurposing, thrifting, and newly produced sustainable shopping (Bhatt, Silverman, and dickson 2019;Bukhari, Carrasco-Gallego, and Ponce-Cueto 2018;Ayres 2019). Upcycling refers to creating newness or better quality in an item from waste or used materials that adds value to the item (Bhatt, Silverman, and dickson 2019).…”
Section: Sustainable Fashionmentioning
confidence: 99%
“…The digital vintage economy is part of a larger wave of artisanal nostalgia, mobilized in response to post-Fordist modes of production and based on re-imaginings of 19th and 20th century craft labor practices that often elide their gender, sexual, racial, and class politics (Gajjala, 2015). Vintage clothing and vinyl records entail older ways of looking, listening, and being, not just as consumption and leisure, but as lifestyle, identity, ethics, and even new forms of labor (Ayres, 2019; Cassidy & Bennett, 2012; Clark & Palmer, 2005; Harvey, 2017; Thorén et al, 2017). In this section, we follow feminist critiques of post-Fordism (Gill & Pratt, 2008; McRobbie, 2010) and the “digital double bind” (Duffy & Hund, 2015) by describing how nostalgia and platformization cooperate to produce the mutually constitutive authenticity of goods and sellers in the digital vintage economy.…”
Section: Valuing Vintagementioning
confidence: 99%
“…Dedicated platforms for vintage goods have increased the number of individual online sellers. Competition for rare collectibles is intense, among sellers as well as buyers (Ayres, 2019), and branded shops who sell online also have to keep their brick-and-mortar prices in line with those found on sites like Etsy or Discogs, despite the higher overhead of running a physical store. While record stores tend to list rare or expensive merchandise online, records tend to cost slightly more in shops than online.…”
Section: Listing Labor Managementmentioning
confidence: 99%
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