At different times, it has been stated that people with dyslexia are more creative than people without dyslexia, especially as some authors have observed that there is a tendency of people with dyslexia to choose studies related to artistic education (Corlu et al., 2007). In fact, some reports have noted that the prevalence of individuals with dyslexia among students of art education may be 15% compared to the 1% in students of other disciplines, such as economics (Wolff & Lundberg, 2002). This claim has also been supported by the fact that some studies have indicated that people with dyslexia may have better global visual-spatial processing capacity (Karolyi et al., 2003) and even a more optimal profile in specific subproducts or products related to originality and fluidity (Cancer & Antonietti, 2019). However, other authors have pointed out that this could be because people with dyslexia somehow try to avoid educational areas in which writing is very relevant (Ott, 1997).To better understand this topic, it is important to define what is meant by creativity. Creativity is a complex construct that impacts different life areas (Runco et al., 2001). There are many definitions of creativity, so, to facilitate their study, they have traditionally been classified into four approaches, namely product, process, context, and person. Joining all of them, creativity can be understood as people's ability to find solutions to problems that are valid and original, allowing them to obtain, through a process, new, original, and valid products (Runco & Jaeger, 2012) that are validated in a given context (Navarro, 2008). In this sense, most definitions conceptualize creativity as a problem-solving process or based on