2014
DOI: 10.4324/9781843144083
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Theoretical Criminology from Modernity to Post-Modernism

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Cited by 19 publications
(20 citation statements)
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“…When societal features shape the distribution and concern for family and parental characteristics, idol worship becomes a product of societal influence. Such an observation echoes the concern for the influence of capitalism and postmodernisation at the societal level on idol worship (Giles, 2000;Niu & Wang, 2009;Morrison, 1995). Attempts to understand and tackle adolescents' idol worship thereby need to consider parental, family, and societal factors.…”
Section: Discussionmentioning
confidence: 97%
“…When societal features shape the distribution and concern for family and parental characteristics, idol worship becomes a product of societal influence. Such an observation echoes the concern for the influence of capitalism and postmodernisation at the societal level on idol worship (Giles, 2000;Niu & Wang, 2009;Morrison, 1995). Attempts to understand and tackle adolescents' idol worship thereby need to consider parental, family, and societal factors.…”
Section: Discussionmentioning
confidence: 97%
“…Though criminological theories were gender neutral as theories of 'crime' and 'criminality' (Morrison 1995), the discourse of criminology and gender could not remain behind the curtains as criminological literature on gender and crime came to the fore through sociologists and feminists. At its root was the distinction between 'sex' and 'gender' that gave birth to the notions of masculinity and femininity, the social constructs of gender.…”
Section: Gender and The Colonial Lineage Of Child Delinquencymentioning
confidence: 99%
“…As Wayne Morrison explains, under Hume 'memory allows the imagination to shape a series of somewhat related perceptions into a unity to create a fiction of the self, through which order can be made of otherwise chaotic [or diverse] presentations.' 86 In 'reading' Figure 5, two diverse presentations are linked together via the reader's imaginative closure to suggest a single, continuous individual. At the heart of the operation of the narrative form of comics can thus be seen an element of how we understand the narratives of our lives, and of our selves, under a Humean model of memory.…”
Section: Metaphysics Of Comicsmentioning
confidence: 99%