2019
DOI: 10.1525/9780520938274
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This Connection of Everyone with Lungs

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Cited by 19 publications
(10 citation statements)
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“…What we are calling ‘Patchwork ontologies’, which we see as a variation and development upon Resilience, are also increasingly prevalent in debates about the Anthropocene. These approaches characterise the work of many scholars, experimental artists, designers, and activists today engaged with debates about the Anthropocene (Bird Rose, 2017; Daou and Pérez-Ramos, 2016; Glissant, 1997; Hayward, 2012; Roberts and Stephens, 2017; Spahr, 2005; Tsing, 2015; Watts, 2018). They similarly draw upon the powers of islands, foregrounding ontological tropes of relational entanglement and feedback effects.…”
Section: Relational Ontologymentioning
confidence: 99%
“…What we are calling ‘Patchwork ontologies’, which we see as a variation and development upon Resilience, are also increasingly prevalent in debates about the Anthropocene. These approaches characterise the work of many scholars, experimental artists, designers, and activists today engaged with debates about the Anthropocene (Bird Rose, 2017; Daou and Pérez-Ramos, 2016; Glissant, 1997; Hayward, 2012; Roberts and Stephens, 2017; Spahr, 2005; Tsing, 2015; Watts, 2018). They similarly draw upon the powers of islands, foregrounding ontological tropes of relational entanglement and feedback effects.…”
Section: Relational Ontologymentioning
confidence: 99%
“…We highlight the importance of working and thinking with islands for the development of Patchwork approaches via a wide range of examples, examined in Chapter 3. These include, among many others, Anna Tsing's (2015) engagements with Japanese islanders' practices; Deborah Bird Rose's (2017a; work with the Aborigines of Australia; Phil Hayward's (2012b) with Haida Gwaii; Daniel Daou and Pablo Pérez-Ramos' (2016) with island thinking in contemporary design; Mimi Sheller's (2020) with local Caribbean island practices; Brian Russell Roberts and Michelle Stephens' (2017) with the 'anti-explorer' method; Teresia Teaiwa's (2007) islanding as a 'verb'; Juliana Spahr's (2005) poetry about Hawai'i; and Laura Watts' (2018) engagements with Orkney islanders. Our argument throughout is that it matters that authors choose to engage and draw heavily upon islands and islanders.…”
Section: Relational Ontologymentioning
confidence: 99%
“…Chapter 3 turns to explore what we call 'Patchwork ontologies' , which we draw out as a characteristic of the work of many scholars, experimental artists, designers and activists engaged with debates about the Anthropocene and who work with islands (examples include, among others, Spahr, 2005;Teaiwa, 2007;Hayward, 2012a;2012b;Daou and Pérez-Ramos, 2016;Yountae, 2016;Tsing, 2015;Roberts and Stephens, 2017;Bird Rose, 2017a;Wetlands Wanderers, 2018;Watts, 2018;Sheller, 2020). As Craig Santos Perez (forthcoming) saliently notes, islands 'have received unprecedented attention' in recent years, not only in mainstream policymaking and Resilience debates, but also in the work of many high-profile critical theorists, from Donna Haraway (Hadfield and Haraway, 2019) to Anna Tsing (2015).…”
Section: Patchwork -Chaptermentioning
confidence: 99%
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“…As a way of getting at what it means to be both together and not necessarily belonging to one another, Berlant discusses a poem by US poet Juliana Spahr (2005), The connection of everyone with lungs. It was written in New York City in the aftermath of 9/11, where all bodies still alive in its wake are described as breathing in the spaces between what is leftbetween hands, rooms, buildings, cities... A simple reading of the poem is one of togetherness-whether corporate banker or street cleaner-everyone in New York was breathing in the same residue of the disaster.…”
Section: "Open-plan Fieldwork" and "Everyone With [And Without] Lungs"mentioning
confidence: 99%