1970
DOI: 10.5617/nm.3459
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Tilbageføring af kulturgods mellem Danmark og Tyskland

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“…In contrast to France's culture of revanchism, there was not a tendency in Denmark to glorify the country's defeat in 1864, especially through sculpture. [24] This was a reflection not only of Denmark's own largely negative historical memory of the Second Dano-Prussian War but also of the country's foreign politics. For Lilliputian Denmark, nonaggression towards Germany was frequently treated as an existential necessity.…”
Section: Masterpieces Of the Copenhagen Ny Carlsberg Glyptotekmentioning
confidence: 99%
“…In contrast to France's culture of revanchism, there was not a tendency in Denmark to glorify the country's defeat in 1864, especially through sculpture. [24] This was a reflection not only of Denmark's own largely negative historical memory of the Second Dano-Prussian War but also of the country's foreign politics. For Lilliputian Denmark, nonaggression towards Germany was frequently treated as an existential necessity.…”
Section: Masterpieces Of the Copenhagen Ny Carlsberg Glyptotekmentioning
confidence: 99%
“…Mellem 1852 og 1891 blev der rejst mindst 46 monumenter til aere for Frederik VII, mange med påskriften «Grundlovens Giver», mest kendt er rytterstatuen foran Christiansborg i København. 77 De er symbolske anerkendelser af, at junigrundloven netop ikke bygger på folkesuveraenitetsprincippet, men var en oktrojeret forfatning. Det bliver meget tydeligt, når man sammenligner med Norge, hvor det første monument over Christian Frederik blev rejst i maj 2014.…”
Section: Ministeransvarlighedunclassified