‘To be or not to be’ (like the West): modernisation in Russia and Iran

Tazmini, Ghoncheh

doi:10.1080/01436597.2018.1447375

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Global Modernisation and Music History1

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2019

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Cited by 2 publications

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“…Musicology must be aware that 'the era of fixed, Euro-centric and non-reflexive modernity has reached its end, and we have, in practical terms, the emergence of "multiple modernities" (Tazmini 2018(Tazmini : 1998.…”

Section: Global Modernisation and Music Historymentioning

confidence: 99%

The Balzan Musicology Project towards a global history of music, the study of global modernisation, and open questions for the future

Strohm

2019

Muzikologija

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The contribution outlines the Balzan Musicology Project (2013-2017) and the published papers arising from its 14 international workshops on global music history. The approach of the project is described as post-eurocentric, uniting music history and ethnomusicology. 29 of the papers address processes of music and modernisation in many countries, pinpointing not only ?Westernisation? but also transculturalism and transnational media. Open questions for a future musicology concern the history concept itself, and the fair distribution of resources and sharing opportunities to all those concerned.

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Section: Global Modernisation and Music Historymentioning

confidence: 99%