1981
DOI: 10.1525/mts.1981.3.1.02a00060
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Tonal Focus in Atonal Music: Berg's op. 5/3

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Cited by 2 publications
(2 citation statements)
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“…The design of this experiment derives from one component from a "hybrid" theoretical model, which encompasses elements from three different theories -Schenkerian method, neo-Riemannian theory and pitchclass set theory (Baker, 1980(Baker, & 1990Hicken, 1974;Lewis, 1981, Morrison, 1991Baker, 1983;Cinnamon, 1993;Pople, 1989;Travis 1959;Wilson, 1984). This model was created to address the harmonic issues posed by post-tonal repertoire, more specifically neoclassical works, as these works contains vestiges of tonality as well as post-tonal elements.…”
Section: Methodsmentioning
confidence: 99%
“…The design of this experiment derives from one component from a "hybrid" theoretical model, which encompasses elements from three different theories -Schenkerian method, neo-Riemannian theory and pitchclass set theory (Baker, 1980(Baker, & 1990Hicken, 1974;Lewis, 1981, Morrison, 1991Baker, 1983;Cinnamon, 1993;Pople, 1989;Travis 1959;Wilson, 1984). This model was created to address the harmonic issues posed by post-tonal repertoire, more specifically neoclassical works, as these works contains vestiges of tonality as well as post-tonal elements.…”
Section: Methodsmentioning
confidence: 99%
“…The design of this experiment derives from one component from a "hybrid" theoretical model, which encompasses elements from three different theories -Schenkerian method, neo-Riemannian theory and pitchclass set theory (Baker, 1980(Baker, & 1990Hicken, 1974;Lewis, 1981, Morrison, 1991Baker, 1983;Cinnamon, 1993;Pople, 1989;Travis 1959;Wilson, 1984). This model was created to address the harmonic issues posed by post-tonal repertoire, more specifically neoclassical works, as these works contains vestiges of tonality as well as post-tonal elements.…”
Section: Methodsmentioning
confidence: 99%