Touching Ecstasy

Vogel, Shane

doi:10.1215/01642472-2820400

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Overproduction and Stagnation1

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2019

2021

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Cited by 3 publications

(1 citation statement)

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“…The banks were willing to go along because they could lend to firms at below-market rates and still maintain reasonable spreads (margins between deposit rates and lending rates).' 10 The strategy worked as long as local and global demand was dynamic and rising. But the rise in local demand was eventually constrained by people's high level of savings, even as intensified international competition slowed the rate of growth of Japanese exports.…”

Section: Overproduction and Stagnationmentioning

confidence: 99%

One world, no longer: the past, the present, and the future of global value chains

Keaney

2021

National Accounting Review

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Section: Overproduction and Stagnationmentioning

confidence: 99%

One world, no longer: the past, the present, and the future of global value chains

Keaney

2021

National Accounting Review

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Between here and “not here”: Queer desires and postcolonial longings in the writings of Dionne Brand and José Esteban Muñoz

Cummings

2019

Journal of Postcolonial Writing

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Skin as Ecstatic Surface: Listening to Queer Diaspora in the work of Patrick Cruz

Mecija¹

2020

Journal of Canadian Studies

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Patrick Cruz is a Toronto-based painter whose artistic practice is informed by his experience of migrating from the Philippines to Canada. The Filipinx diaspora in Canada is large but often not given adequate attention in queer theories of nationhood. This article makes the argument that the textures or “skin” of Patrick Cruz’s canvases are an extension of his interior world and insist on the complex psychic, corporeal, and sonic contours of Filipinx migration and diasporic subjectivity in Canada. It proposes a queer theory of listening to suggest that Cruz’s paintings are important for their expression of Filipinx diaspora. Bringing sound studies to bear on notions of skin, surface, and queer affect, this article makes the case that when one listens closely to a painting a new intimacy with the work and the Filipinx artist is forged. Central to arguments made is scholarship produced in the fields of queer diaspora studies and Filipinx studies.

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Touching Ecstasy

Cited by 3 publications

References 1 publication

One world, no longer: the past, the present, and the future of global value chains

One world, no longer: the past, the present, and the future of global value chains

Between here and “not here”: Queer desires and postcolonial longings in the writings of Dionne Brand and José Esteban Muñoz

Skin as Ecstatic Surface: Listening to Queer Diaspora in the work of Patrick Cruz

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