Toward a Theory of Romanticism: II. Reconsiderations

Peckham, Morse

doi:10.2307/25599536

Cited by 4 publications

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“…Therefore, in his article "On Romanticism: Introduction", he has tried to expand on this notion. In this case, he refers to romanticism as a crisis which has occupied a suitable place in European culture and it appears to be a widely accepted notion [6]. Peckham has aptly noticed the center of this attention and described it as a "crisis in European culture" because it has totally changed the European thought into a different direction of thought.…”

Section: Negative Romanticism As a Preliminary Stage To Romanticismmentioning

confidence: 99%

Negative Romanticism: An Exploration of a Sense of Isolation in Yushij's <i>Afsaneh</i>

Oroskhan

Zohdi

2016

ILSHS

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From its beginning in the academic studies during the later nineteenth century, Romanticism has provoked ongoing debates over the nature of its definition. Nonetheless Morse Peckham has satisfactorily settled this matter by indicating that romanticism has dramatically altered the way of thinking therefore it should be distinctively met. For this purpose, he proposed that dealing with the concept of romanticism necessitate dividing it into two concepts of negative and positive romanticism in which a transition is occurred from negative romanticism to positive romanticism however in some cases this transition may not become completed and is lead to the obscure origin of the sense of isolation among various romantic poets. To clearly illustrate Peckham's notion of negative romanticism, it is tried to explore Nima Yushij's Afsaneh who is known to be the most romantic poet of Persian literature. Based upon Peckham's notion of negative romanticism, Nima's sense of despair and isolation in Afsaneh is fully justified and it is highly suggested that Peckham's new perspective toward romanticism can eventually settle the conflicting views on the subject of Romanticism.

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Section: Negative Romanticism As a Preliminary Stage To Romanticismmentioning

confidence: 99%

Negative Romanticism: An Exploration of a Sense of Isolation in Yushij's <i>Afsaneh</i>

Oroskhan

Zohdi

2016

ILSHS

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The Romantic cénacle: an intellectual coterie in search of status

Cordova¹

1977

Arch. eur. sociol.

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Mariano Fortuny y la virtualización del espacio escénico: electricidad, patrimonio e imaginario

Díaz-Emparanza Almoguera,

P.Arregui

2024

SEECI

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Introducción: La dimensión visual del teatro centró desde muy pronto la atención de Mariano Fortuny, cuyos principios de reconsideración estructural del espacio escenográfico van a dirigirse en su proceso experimentador hacia dos frentes inseparablemente ligados entre sí: la concepción física del espacio escenográfico y la iluminación de escena, tanto en lo relativo al reajuste de los problemas derivados del uso de la nueva luz eléctrica como a la radical reforma de sus sistemas de proyección. Metodología: Revisionismo crítico a la luz de los postulados de la teatrología, la escenología o los Performance Studies, de tipo transversal y no experimental. Resultados y discusión: La relación entre texto, ambientación histórica y evocación estilística o libre abstracción ha constituido el desarrollo de la figuración teatral del último siglo. En este contexto, Marino Fortuny aporta múltiples implicaciones expresivas proporcionadas por las nuevas posibilidades de este tipo de luz que concurrieron con un replanteamiento sustancial de las bases del realismo naturalista, según el cual el diseño escenográfico se desvinculaba progresivamente de la adherencia mimética a la realidad en aras de su interpretación creativa. Conclusiones: La escenografía da un paso más hacia la llamada “espaciografía” y la luminotecnia se convierte en instrumento dramático, narrativo, locativo y diegético a instancias del acontecer espectacular, vector dramatúrgico y sustancial de la escenificación.

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Toward a Theory of Romanticism: II. Reconsiderations

Cited by 4 publications

References 0 publications

Negative Romanticism: An Exploration of a Sense of Isolation in Yushij's <i>Afsaneh</i>

Negative Romanticism: An Exploration of a Sense of Isolation in Yushij's <i>Afsaneh</i>

The Romantic cénacle: an intellectual coterie in search of status

Mariano Fortuny y la virtualización del espacio escénico: electricidad, patrimonio e imaginario

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