2016
DOI: 10.48550/arxiv.1610.01691
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Towards a Drone Cinematographer: Guiding Quadrotor Cameras using Visual Composition Principles

Abstract: Figure 1: We present an end-to-end system for capturing well-composed footage of two subjects with a quadrotor in the outdoors. On the left, we show the quadrotor filming two subjects. To the right, are static shots captured by our system, covering a variety of perspectives and distances. We demonstrate people using our system to film a range of activites-pictured here: taking a selfie, playing catch, receiving a diploma, and performing a dance routine.

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Cited by 17 publications
(28 citation statements)
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“…Autonomous Aerial Filming: Recent research works [21,22,8,9,15,16,13,11] enable flexible human-drone interactions in an aerial filming task. For instance, in [21,22,8,9,15,13,16], the users are allowed to specify the subject size, viewing angle and position on the screen to generate quadrotor's motion automatically.…”
Section: Related Workmentioning
confidence: 99%
See 1 more Smart Citation
“…Autonomous Aerial Filming: Recent research works [21,22,8,9,15,16,13,11] enable flexible human-drone interactions in an aerial filming task. For instance, in [21,22,8,9,15,13,16], the users are allowed to specify the subject size, viewing angle and position on the screen to generate quadrotor's motion automatically.…”
Section: Related Workmentioning
confidence: 99%
“…Autonomous Aerial Filming: Recent research works [21,22,8,9,15,16,13,11] enable flexible human-drone interactions in an aerial filming task. For instance, in [21,22,8,9,15,13,16], the users are allowed to specify the subject size, viewing angle and position on the screen to generate quadrotor's motion automatically. However, these techniques essentially move a camera to a target pose based on the demand specified by users; therefore, the aesthetic quality of the video highly relies on the user's input.…”
Section: Related Workmentioning
confidence: 99%
“…This enables the drone to move to a position where requirements from canonical static shots, like the rule of thirds, or other composition guidelines are satisfied [7]. Besides the aesthetics, it is often essential to transition between positions in a secure way (keeping a safe distance from the targets) [8].…”
Section: Related Workmentioning
confidence: 99%
“…These key frames can be predefined by a user [23], [24] or sampled intelligently from a set of template shot types [2], [22]. [25] automatically records videos of two subjects by matching the view with predefined templates for scenes with two actors. Instead of defining key frames, imitation learning [26] can be used to learn camera trajectories directly from films.…”
Section: Introductionmentioning
confidence: 99%
“…This challenge limits the ease of integrating learned aesthetics models into drone cinematography. As such, a common property of the many autonomous cinematography works is that the captured video focuses on tracking human subjects [1], [2], [4], [11], [22], [25]. Commercial drones (such as Skydio) also focus on autonomous cinematography for a single user by filming them during activities like skiing or mountain biking.…”
Section: Introductionmentioning
confidence: 99%