“…If we transport emancipation to the heart of entrepreneurship theorizing, what type of transitions would then be necessary in the social imaginary? Although it is difficult to rid entrepreneurship research of a certain romantic fixation on the heroic entrepreneurial individual (Laine & Kibler, 2018;McMullen, 2017), or of the image of a tightly bundled super-group, this may be better regarded as a strength rather than weakness of the field, for it enables very different viewpoints to contribute to our theorizing and social critique. Our imagination is sparked by considering the ways in which, for example, Van Gogh (Cornelissen, 2013), Ai Weiwei (Hjorth & Holt, 2016), or Picasso (Olive-Tomas & Harmeling, 2019), could lend themselves to entrepreneurial readings, let alone Gandhi or Guevara.…”