Tradisi dalam Modernisasi Seni Lukis Sumatera Utara: Eksplorasi Kreatif Berbasis Etnisitas Batak Toba

Zulkifli, Zulkifli; Sembiring, Dermawan; Pasaribu, M.Si Drs. Payerli

doi:10.31091/mudra.v35i3.878

Cited by 3 publications

(2 citation statements)

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“…Tahap eksplorasi merupakan langkah awal dalam membuat karya seni, di mana tahap ini terdapat pencarian ide atau konsep. Eksplorasi sering digunakan sebagai ide kreatif dalam bidang kesenian yang menghasilkan konsep-konsep yang mengandung nilai estetis (Zulkifli et al, 2020). Pada tahap ini berbagai persiapan dilakukan sebelum membuat karya.…”

Section: Metodeunclassified

Kesenian Rengganis sebagai Inspirasi Penciptaan Lukisan Surealistik

Admojo

Widodo

Prasetyo

2023

JoLLA

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Kesenian Rengganis adalah seni pertunjukan berbentuk drama tari lakon yang merupakan akulturasi kebudayaan jawa dengan kebudayaan osing. Kesenian ini disebut juga kesenian Praburoro yang berasal dari kata ‘Prabu’ berarti raja dan ‘Rara’ berarti perempuan, sehingga Praburoro berarti raja perempuan. Kesenian tersebut dapat ditampilkan dengan berbagai bentuk, salah satunya dalam bentuk karya seni lukis. Dalam penelitian ditemukan permasalahan bahwa kesenian Rengganis tidak lagi dikenal akibat tereduksi oleh kesenian lain yang serupa yakni Seni Janger yang lebih populer hingga saat ini. Tujuan Peneliti dalam penelitian ini yaitu mengenalkan kembali kesenian Rengganis dalam karya lukisan surealistik. Peneliti memulai dengan melakukan observasi, wawancara, doku-mentasi dan pengolahan data. Penelitian ini menggunakan metode penciptaan Alma Hawkins karena relevan dengan topik yang diusung yaitu seni pertunjukan sebagai sumber inspirasi seni lukis. Metode Alma Hawkins meliputi tiga tahap yakni eksplorasi, improvisasi dan pembentukan. Penekanan dalam penelitian ini ini terletak pada jenis karyanya, yaitu seni lukis. Seni lukis merupakan suatu kegiatan mengolah medium dua dimensi atau permukaan dari objek tiga dimensi untuk mendapatkan kesan tertentu. Ditemukan hasil bahwa filosofi kesenian Rengganis dapat disampaikan melalui seni lukis surealisme. Kata kunci: Kesenian Rengganis, model penciptaan Alma Hawkins, seni lukis surealisme Rengganis Art as Inspiration for Surrealistic Paintings Rengganis art is a performing art in the form of a play dance drama which is an acculturation of Javanese culture with foreign culture. This art is also called Praburoro art which comes from the words 'Prabu' which means king and 'Rara' means woman, so Praburoro means king of women. This art can be displayed in various forms, one of which is in the form of painting. In the study, it was found that the problem of Rengganis art is no longer known due to being reduced by other similar arts, namely Janger Art which is more popular today. The aim of the researcher in this study is to reintroduce the art of Rengganis in surrealistic paintings. Researchers started by conducting observations, interviews, documentation and data processing. This study uses the Alma Hawkins creation method because it is relevant to the topic being promoted, namely performing arts as a source of inspiration for painting. The Alma Hawkins method includes three stages, namely exploration, improvisation and formation. The emphasis in this research lies in the type of work, namely painting. Painting is an activity to process a two-dimensional medium or the surface of a three-dimensional object to get a certain impression. It was found that the philosophy of Rengganis art could be conveyed through surrealism painting. Keywords: Rengganis art, Alma Hawkins' creation model, surrealism painting

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Section: Metodeunclassified

Kesenian Rengganis sebagai Inspirasi Penciptaan Lukisan Surealistik

Admojo

Widodo

Prasetyo

2023

JoLLA

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“…Peluang fashion fabric berupa seni motif cap ini memiliki potensi yang sangat besar sebagai media yang dapat menjadi citra promosi kota (Parmono, 2013). Tidak hanya menjadi media promosi, namun juga sebagai media dan material produk fashion yang berdasarkan pada data bekraf bahwa pendapatan dari kegiatan ekonomi kreatif di Indonesia paling tinggi dalam dunia fashion (Zulkifli, 2020).…”

Section: Peluang Kegiatan Pengabdianunclassified

Seni motif cap pada kain bagi penderita psikotik di Dinas Sosial Meruya Unit Informasi (UILS Meruya)

Maftukha

2021

Tekmulogi J. Pengabdi. Masy.

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The art of this stamp motif has been known since prehistoric times, and the results can be seen in Leangleang Cave, Kalimantan and Altamira Cave, Australia. The stamp technique is very simple and can take advantage of objects and plants in the environment around us. Based on the survey, there are no products in the form of fashion fabric for the cultivating activities at the Social Service Information Unit (UILS) Meruya. Therefore, this service carries the theme of stamped art on cloth. Stamp is one of the simplest graphic arts or printing techniques, namely the stamp motif on the fabric that is created with the texture of various types of leaves in the surrounding environment. For example, we can take advantage of the texture of the banana midrib bone with a certain composition and pattern. The target to be achieved is to introduce Meruya's Social Service Information Unit (UILS) to people. The application is by applying the motif to the fabric. This can train the cognitive and motor aspects of students. The implementation methods are (1) introducing the technique of making stamps from banana midribs, (2) applying the motif to the fabric, (3) creating unique compositions and patterns of motifs, (4) practicing making motifs with stamp coloring techniques, (4) making creative economy products in the form of fashion products.

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Malay identity in the exploration of miniature creation as souvenirs: contextual miniature of Malay architecture of North Sumatra, Indonesia

Zulkifli,

Kartono,

Misgiya

et al. 2024

Creativity Studies

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As a testament to the past Malay glory, there are monumental architectures in Medan (North Sumatra, Indonesia), Langkat (North Sumatra, Indonesia) and Batubara Regencies (North Sumatra, Indonesia) that have become Malay icons. The city of Medan and several areas in North Sumatra are known as tourist destinations since the early 20th century. The tourism has strong potential but it has not been supported by representative souvenir products. This article discusses the preservation of Malay identity through research into the manufacture of miniatures as souvenirs. The aim is to explore the potential of Malay architectural forms to be explored in the production of miniature souvenirs to revitalize North Sumatra’s Malay identity. The replicated research methods are survey, creation (creative experiment), and conservation methods in the socio-cultural approach. Research data was collected from various sources and analyzed using an interactive model. The results of the study explain that the potential identity of Malay architecture can be mapped based on its type (function) and structure. Its exploratory potential, both technically and aesthetically, lies in the dynamic visualization of roof forms and architectural facades. As it is researched based on the iconic Malay architectural figures, the miniature products are exclusive in the form of unique souvenirs with a strong Malay identity.

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Tradisi dalam Modernisasi Seni Lukis Sumatera Utara: Eksplorasi Kreatif Berbasis Etnisitas Batak Toba

Cited by 3 publications

References 0 publications

Kesenian Rengganis sebagai Inspirasi Penciptaan Lukisan Surealistik

Kesenian Rengganis sebagai Inspirasi Penciptaan Lukisan Surealistik

Seni motif cap pada kain bagi penderita psikotik di Dinas Sosial Meruya Unit Informasi (UILS Meruya)

Malay identity in the exploration of miniature creation as souvenirs: contextual miniature of Malay architecture of North Sumatra, Indonesia

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