2021
DOI: 10.2991/assehr.k.211220.375
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Transformation of Fan Culture Under the Influence of Social Media

Abstract: Nowadays, fandom and fan culture have step into the eyes of the public gradually. Many people are curious about how this subculture carries weight to society. In this article, we mainly focus on discussing two problems. The first is how the development of social media and technology influences fandom. The second is how the fan culture influence back to the economy and society. For the importance, our study could help with the further study on fan culture, social media, explore their relationship, and help the … Show more

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Cited by 3 publications
(4 citation statements)
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“…Back in the day, during the conception of modern fan culture, the Star Trek fandom could only express and spread their creations through attending conventions (Helleckson & Busse, 2006). Additionally, before the Internet came, communication between fans was constantly faced with problems, namely the long distances and the inconveniences of schedules (Jia et al, 2021). The Internet has allowed fans to become more connected and widespread.…”
Section: Introductionmentioning
confidence: 99%
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“…Back in the day, during the conception of modern fan culture, the Star Trek fandom could only express and spread their creations through attending conventions (Helleckson & Busse, 2006). Additionally, before the Internet came, communication between fans was constantly faced with problems, namely the long distances and the inconveniences of schedules (Jia et al, 2021). The Internet has allowed fans to become more connected and widespread.…”
Section: Introductionmentioning
confidence: 99%
“…According to Pearson (2010), there is a blurring of the lines between producers and consumers in the contemporary social media era, leading to a symbiotic relationship between powerful businesses and individual fans and the emergence of new kinds of cultural production. Jia et al (2021) argued that this shift in the roles of fans or members of fandoms may be seen in two ways: from passive to active and from receiver to producer. While fans are considered producers and consumers of popular culture capital, according to Fiske (2002), fan cultures have two cores: chatting and derivative creation.…”
Section: Introductionmentioning
confidence: 99%
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