“…However, it may be argued that the sharing of these photographs (often with captions) is another way of involving participants in data analysis, given that they have some control over what gets shared. This was the case in a number HANNA 28 beijing international review of education 2 (2020) 11-34 of the studies, where a school-or community-based exhibition was set up (e.g., DeJaynes & Curmi-Hall, 2019;Rogers, 2017;Rose et al, 2016;Call-Cummings & Martinez, 2016;Kaplan et al, 2007;Mitchell et al, 2006). Nevertheless, it remains the case that the audience has the freedom to interpret the images on display in their own way, which may be entirely different from the intentions of the learner-photographers, and therefore may not promote the kind of 'counter storytelling' that scholars such as Goessling (2018) or Allen (2009) might wish for.…”