“…What is highlighted in such an "expanded assemblage of commemoration efforts", as Rico nicely described it, is "affective atmospheres" as Palu Cloke and David Conradson address on a similar occasion, a series of earthquakes that took place in the city of Christchurch, New Zealand, from 2010 to 2011. They focus on discussing how artists and other members of the community affectively engage with each other in order to generate shared senses of being together, which would challenge those who tend to consider post-disaster recovery simply as a "material and measurable" project [9]. In the meantime, endeavors of generating affective atmospheres become more important in Asian countries such as Japan, China, and South Korea where "materiality is [fundamentally] impermanent" (i.e., heritage structures constructed from wood that is highly susceptible to fire) [10,11].…”