Translation, Adaptation and Interpretation of Dramatic Texts

Link, Franz

doi:10.1016/b978-0-08-025246-9.50010-8

Cited by 12 publications

(6 citation statements)

References 0 publications

Supporting

Mentioning

Contrasting

Unclassified

Order By: Relevance

“…The history of the art of speech, one of the greatest inventions of mankind, is very ancient, and its first roots go back to the history of folklore of the peoples of the world, that is, the transformation of non-aesthetic phenomena into aesthetic phenomena in the history of word art. We see the first non-aesthetic roots of word art in the history of folklore of all peoples of the world (Jirmunsky, 1979;Grinzer, 1979;Link, 1980). The transition of the people from mythological thinking to poetic comprehension and the resulting folklore heritage in the modern sense is so complex that in some examples it can be seen from the traces of primitive society and subsequent early cultural stages to modern poetic observations and artistic expressions.…”

Section: The Main Findings and Resultsmentioning

confidence: 99%

Artistic interpretation of the epic creative image

Eshonkulov

2021

ijllc

View full text Add to dashboard Cite

Folklore is a unique art form. It differs from the written literature in its oral, traditional, varied, collective nature. That is, folk epics, which are an example of folklore, have many variants of their own. His text is not stable. These epics, sung by the bakhshis, differ from the epics, which are an example of written literature, in these aspects, that is, in their oral assimilation, oral performance, and oral heritage. These epics change in each performance as they are sung by the performer, the bakhshis. Because bakhshi is based on the law of live performance. Epic art, that is, the epics sung by the bakhshis to understand the essence of the content; it will be necessary to have a fuller understanding of the art of witchcraft. We can learn about the bakhshis from the epics they sang. Epics such as “Alpomish”, “Manas”, “Gorogly”, and the “Book of Dada Korkut” speak of the image of the bakhshi. This article deals with the artistic interpretation of the image of the epic creator in folk epics.

show abstract

Section: The Main Findings and Resultsmentioning

confidence: 99%

Artistic interpretation of the epic creative image

Eshonkulov

2021

ijllc

View full text Add to dashboard Cite

show abstract

“…Those are four utterances which indicate directive illocutionary acts in the form of ordering. The types of directive illocutionary acts were analyzed based on the context of situation of directive illocutionary acts and then followed by the analysis of the translation procedures used by the translator found in the novel New Moon (Zainudin & Awal, 2012;Link, 1980).…”

Section: Resultsmentioning

confidence: 99%

Directive illocutionary acts ‘suggest’ and its translation found in the novel new moon

Agustawan¹

2021

lingcure

View full text Add to dashboard Cite

The aim of this research is to determine the translation procedures of directive illocutionary acts ‘order’ found in the novel New Moon translated into Indonesian. The method in collecting the data using several steps, such as: note-taking, identifying the data, arranging the data, and classifying the data in the form of a table. The analysis uses the theory of translation procedures proposed by Vinay and Darbelnet in Venuti (2000) and the theory of directive illocutionary acts that are proposed by Searle (1969). The finding of the research is that there is directive illocutionary acts ‘suggest’ found in the novel “New Moon.” Secondly, the types of translation procedures that are found in the novel are only two out of seven procedures obtained from the novel namely; literal translation, and transposition.

show abstract

“…És cert que només en la primera el traductor va treballar al costat del director i per a una producció concreta, i per això hi trobem una divisió en escenes diferent de la de l'original i alguna adaptació. 13 Però aquí no és aplicable la distinció nítida de propòsits amb què se solen destriar les dues grans modalitats de traducció de textos dramàtics: traducció per a la representació, for the stage, i traducció per a la lectura, for the page (Bassnett 1980;Link 1980 …”

Section: Marcel Ortínunclassified

Dos llenguatges de traducció diferents: les dues versions de Josep Carner d’«El malalt imaginari» (1905/1909 i 1921)

Ortín

2015

Caplletra

View full text Add to dashboard Cite

Resum: En aquest article es presenta una comparació crítica detallada dels llenguatges que va posar en joc Josep Carner en dues versions diferents d'El malalt imaginari de Molière. La primera, publicada l'any 1909, havia estat feta el 1905 per a una producció d'Adrià Gual; la segona va aparèixer el 1921 en una col·lecció d'obres literàries en traducció que dirigia Carner mateix, la Biblioteca Literària. És interessant de comparar-ne les solucions perquè aquest no és un simple cas de revisió, sinó un cas de retraducció, amb molts aspectes culturals implicats. Pompeu Fabra havia dut a terme en aquests anys una renovació severa i completa de la llengua escrita. Carner va canviar la seva concepció respecte als objectius i la pràctica de la traducció, per mirar com podia contribuir a estendre les possibilitats expressives de la llengua reformada.Paraules clau: català literari del segle xx, llenguatges de traducció, Josep Carner, Pompeu Fabra. Abstract: This article offers a detailed critical comparison of the literary languages deployed by Josep Carner in two different Catalan versions of Molières's Le Malade imaginaire.The first one, published in 1909, had been made in 1905 for a stage production by Adrià Gual; the second one was published in 1921 in Biblioteca Literària, a series of literary works in translation supervised by Carner himself. The main interest in comparing them lies in the fact that this is not a case of mere revision but a case of retranslation, and one which presents interesting cultural aspects. Not only had a stringent and thorough renewal of written Catalan taken place in the years between the two versions, led by Pompeu Fabra, but Carner had also changed his whole approach to the task of translation in respect of both its practice and its goals, in connection with the potential growth of literary language on the basis of this reform.

show abstract

Translation, Adaptation and Interpretation of Dramatic Texts

Cited by 12 publications

References 0 publications

Artistic interpretation of the epic creative image

Artistic interpretation of the epic creative image

Directive illocutionary acts ‘suggest’ and its translation found in the novel new moon

Dos llenguatges de traducció diferents: les dues versions de Josep Carner d’«El malalt imaginari» (1905/1909 i 1921)

Contact Info

Product

Resources

About