The starting point of this essay was a visit to the Finnish contemporary artist Riiko Sakkinen's exhibition Closing borders (Mänttä 2017(Mänttä -2018. The exhibition portrayed various border locations both at the external borders of the territory of the European Union as well as within this territory, building on the artist's visits to these sites over the year 2016. Many of these places are the same ones where I have conducted ethnographic fieldwork on migrant journeys and solidarity practices since 2010. This essay brings together the analysis of these artistic works (collages, drawings, installations) and the book produced as accompanying material to the exhibition, and ethnographic material (field notes, interviews with people on the move and local solidarity activists) collected at some of the same sites. The essay examines border politics, practices of knowledge formation via responsible witnessing, and multiple forms of enacting resistance to violence at borders. With this backdrop, I ask what the exhibition rendered visible in terms of ongoing struggles at these sites and what remained hidden, arguing that while it is important to document the forms of violence, it would also be necessary to recognize ongoing forms of resistance and the continuities of these struggles in order to reach beyond the mediatised spectacle.