2018
DOI: 10.4000/critiquedart.29151
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Trap Door: Trans cultural production and the politics of visibility

Abstract: Éditeur Groupement d'intérêt scientifique (GIS) Archives de la critique d'art Référence électronique Phoebe Clarke, « Trap Door: Trans cultural production and the politics of visibility », Critique d'art [En ligne], Toutes les notes de lecture en ligne, mis en ligne le 25 mai 2019, consulté le 23 septembre 2020. URL :

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“…More public discourse is not always better, especially in times of moral panic. As we reap a hostility borne out of the trans tipping point, I am reminded of trans scholars' observation that visibility is not always a good (9,10). By intervening in public discourse, bioethicists can fan its flames.…”
Section: Mots-clésmentioning
confidence: 99%
“…More public discourse is not always better, especially in times of moral panic. As we reap a hostility borne out of the trans tipping point, I am reminded of trans scholars' observation that visibility is not always a good (9,10). By intervening in public discourse, bioethicists can fan its flames.…”
Section: Mots-clésmentioning
confidence: 99%
“…When I last attended the conference in New Orleans in 2018, there was virtually nothing trans-related in the programme. But as Eden Kinkaid (2020, 2022), among others, has pointed out, this heightened visibility is a doubleedged sword for both trans scholars and trans people more generally (Gosset et al, 2022). 3 * These observations were first presented as a discussant's response to Jack Gieseking's Society and Space Plenary Lecture 'Notes from a Cis Discipline' at the Annual Meeting of the American Association of Geographers in Denver, Colorado on 26 March 2023.…”
mentioning
confidence: 99%