Três Notas Sobre Um Brasil Ditatorial Em a Noite Da Espera E Pontos De Fuga, De Milton Hatoum

Abstract

This work is based on the articulation of the theory of sensitivity as a form of possible experience with the theory of art as a reflection of real experience (DELEUZE, 2015). In view of this, it is intended to tackle Martin's fictional trajectory, the protagonist of the novels A noite da espera(2017) and Pontos de fuga(2019), which intersects with Brazil’s national formation. This fact evidences the most recent dictatorial past of the country and its spectral presence in the present. In this line, the contemporary civil society assumes a political-ethical duty to transform the energies repressed by this historical trauma into a synergy which encourages Brazilian political imagination towards democratic frameworks and recognitions. This process builds possible bodies whose livelihood and prosperity are provided for and guaranteed, before the general precariousness of life (BUTLER, 2015).