2022
DOI: 10.21203/rs.3.rs-1926421/v1
|View full text |Cite
Preprint
|
Sign up to set email alerts
|

TROMPA-MER: an open dataset for personalized Music Emotion Recognition

Abstract: We present a platform and a dataset to help research on Music Emotion Recognition (MER). We developed the Music Enthusiasts platform aiming to improve the gathering and analysis of the so-called “ground truth” needed as input to MER systems. Firstly, our platform involves engaging participants using citizen science strategies and generate music emotion annotations -- the platform presents didactic information and musical recommendations as incentivization, and collects data regarding demographics, mood, and … Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1

Citation Types

0
1
0

Year Published

2023
2023
2024
2024

Publication Types

Select...
2

Relationship

0
2

Authors

Journals

citations
Cited by 2 publications
(1 citation statement)
references
References 48 publications
(83 reference statements)
0
1
0
Order By: Relevance
“…MER often depends on datasets and prediction targets derived from simplistic taxonomies. 30 Implicit learning from textual associations may instill biases from datasets, due to limitations in how emotion is often discussed and the need for more information than language alone for representing rich emotional concepts. 31 Such techniques lack grounding in the human experiences, embodiment, and enculturation that gives rise to musical emotional fluency, and may implicitly encode biases in music-emotion connections.…”
Section: Emotional Contextmentioning
confidence: 99%
“…MER often depends on datasets and prediction targets derived from simplistic taxonomies. 30 Implicit learning from textual associations may instill biases from datasets, due to limitations in how emotion is often discussed and the need for more information than language alone for representing rich emotional concepts. 31 Such techniques lack grounding in the human experiences, embodiment, and enculturation that gives rise to musical emotional fluency, and may implicitly encode biases in music-emotion connections.…”
Section: Emotional Contextmentioning
confidence: 99%