2017
DOI: 10.1353/com.2017.0004
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Troubled Waters: Liquid Memory in the Wake of Disaster

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“…The generic conventions of particular art forms can falsify the physical, psychic and/or affective experience of disaster. Ravalico (2017) cites Marie-Hélène Huet's argument that because 'disaster is fundamentally a "negation of order", it "cannot be rendered as a narrative without losing its own specificity"' (Ravalico 2017, 64;citing Huet 2012, 19). Carrigan explores catastrophe's 'genealogical association with plot conclusions in drama' , yet finds that while the tragic mode is essential to much post-disaster art, it is rarely the dominant one.…”
mentioning
confidence: 99%
“…The generic conventions of particular art forms can falsify the physical, psychic and/or affective experience of disaster. Ravalico (2017) cites Marie-Hélène Huet's argument that because 'disaster is fundamentally a "negation of order", it "cannot be rendered as a narrative without losing its own specificity"' (Ravalico 2017, 64;citing Huet 2012, 19). Carrigan explores catastrophe's 'genealogical association with plot conclusions in drama' , yet finds that while the tragic mode is essential to much post-disaster art, it is rarely the dominant one.…”
mentioning
confidence: 99%