2020
DOI: 10.1017/s0066154620000022
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TÜRKMEN-KARAHÖYÜK 1: a new Hieroglyphic Luwian inscription from Great King Hartapu, son of Mursili, conqueror of Phrygia

Abstract: AbstractIn this article, the authors present a first edition of the recently found inscription TÜRKMEN-KARAHÖYÜK 1, propose an eighth-century dating and explore some of the consequences of this date for the group of inscriptions mentioning Hartapu, son of Mursili.

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Cited by 11 publications
(2 citation statements)
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“…The case of the Throne and the other cultic installations at Kızıldag has some similarities with the one of Yalburt. In the recent scholarship, a dating of all monumental features at this site to the 8th century has been suggested (Goedegebuure et al 2020;Massa, Osborne 2022, with previous literature). While this reconstruction is possible if one imagines the presence of copies of archaic monuments, we follow here the recon-7…”
Section: Reorganization In South-central Anatoliamentioning
confidence: 78%
“…The case of the Throne and the other cultic installations at Kızıldag has some similarities with the one of Yalburt. In the recent scholarship, a dating of all monumental features at this site to the 8th century has been suggested (Goedegebuure et al 2020;Massa, Osborne 2022, with previous literature). While this reconstruction is possible if one imagines the presence of copies of archaic monuments, we follow here the recon-7…”
Section: Reorganization In South-central Anatoliamentioning
confidence: 78%
“…The case of the Throne and the other cultic installations at Kızıldag has some similarities with the one of Yalburt. In the recent scholarship, a dating of all monumental features at this site to the 8th century has been suggested (Goedegebuure et al 2020;Massa, Osborne 2022, with previous literature). While this reconstruction is possible if one imagines the presence of copies of archaic monuments, we follow here the recon-7 While the bronze figurine appears to hold in one hand a bunch of grapes and stalk of grain -a motif especially common in the imagery of Gurgum and Sam'al -Marchetti prefers to interpret the object as a dagger, perhaps referring to grapes in its hilt, due to the absence of this deity elsewhere at Karkemiš (Marchetti 2014: 311, especially n. 7).…”
Section: Reorganization In South-central Anatoliamentioning
confidence: 78%