2019
DOI: 10.1080/09502386.2019.1656760
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Twitter, incivility, and presidential communication: A theoretical incursion into spectacle and power

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Cited by 13 publications
(8 citation statements)
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“…Using tweets for this purpose below the federal level is not-most studies of Twitter today focus on presidential or congressional candidate tweets. Donald Trump's use of Twitter is legendary (e.g., Bratslavsky et al, 2020). A limitation of the Twitter portion of this study was that not all candidates in small cities-sometimes none-have and use Twitter.…”
Section: Discussionmentioning
confidence: 97%
“…Using tweets for this purpose below the federal level is not-most studies of Twitter today focus on presidential or congressional candidate tweets. Donald Trump's use of Twitter is legendary (e.g., Bratslavsky et al, 2020). A limitation of the Twitter portion of this study was that not all candidates in small cities-sometimes none-have and use Twitter.…”
Section: Discussionmentioning
confidence: 97%
“…And it takes little time or effort, whether tweeting about our daughter’s football match, a product review, or about a racist act. It can be done as we queue to pick up our coffee and when we are tweeting about a number of unrelated things in rapid sequence (Bratslavsky et al, 2019). In such cases we may not necessarily have a deeper level of commitment to what we tweet (Foxman and Wolf, 2013).…”
Section: Twitter Social Justice and Civic Debatementioning
confidence: 99%
“…From the political perspective, the logic of spectacle constructs and supports these. Employing aesthetic capitalism through the appeal of a candidate to produce and distribute political candidates to an electoral market through many multimedia (Bratslavsky et al, 2020). Therefore, the Society of the Spectacle, through the diffuse spectacle, becomes the ideal theoretical framework to analyse how advertising converts the attractive image of the candidate into merchandise, which is gained through the vote, becoming an affirmation of people's social life.…”
Section: Theory Of the Society Of The Spectaclementioning
confidence: 99%