1997
DOI: 10.2307/3179826
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Ultrasonic Misting. Part 1, Experiments on Appearance Change and Improvement in Bonding

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Cited by 5 publications
(2 citation statements)
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“…The pigment layers were then consolidated with the above described selected adhesives either four times without intermediate drying or only once by soaking the pigment layer; in both cases the distance between the nozzle of the aerosol generator and the paint layer was 1 cm. The latter application method is based on a study by Michalski and Dignard (1997) where the aerosol stream was held for a few seconds onto the sample until a liquid layer of consolidant was created and the pigment layer is fully saturated. All pigment layers were misted with ten different adhesives (Table 1).…”
Section: Sample Preparationmentioning
confidence: 99%
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“…The pigment layers were then consolidated with the above described selected adhesives either four times without intermediate drying or only once by soaking the pigment layer; in both cases the distance between the nozzle of the aerosol generator and the paint layer was 1 cm. The latter application method is based on a study by Michalski and Dignard (1997) where the aerosol stream was held for a few seconds onto the sample until a liquid layer of consolidant was created and the pigment layer is fully saturated. All pigment layers were misted with ten different adhesives (Table 1).…”
Section: Sample Preparationmentioning
confidence: 99%
“…Vermillion and the mixture of ultramarine and lead white can be frequently found in medieval pigment palettes and are known for creating friable pigment layers. Green earth was included because it was reported to be susceptible to colour changes when consolidated using ultrasonic generators (Michalski and Dignard 1997). Chromium oxide green was chosen as a rather modern pigment from the mid-nineteenth century.…”
Section: Pigment Selectionmentioning
confidence: 99%