Using medieval western art to speak of female sexuality is difficult. Karma Lochrie argues that medieval women's sexuality was organised in ways so alien to current categories that it requires careful excavation:Medieval hybrids that are incomprehensible today, such as 'chaste marriage' or even a kind of 'willful virginity,' were not only practised during the Middle Ages, but they suggest a much more diffused and complex interaction of categories than we are used to. Armed only with the heterosexual/homosexual divide and a presumption of heteronormativity, we cannot even begin to sort out such categories as Amazons, female masculinity, or even virginity. 1 Lochrie's book, like most studies of medieval sexuality, is primarily concerned with textual sources. Can the visual arts contribute to this work of categorisation?This brief overview will suggest that such a focus tends if anything to find more uncertainties of various kinds; to indicate that "Female sexuality [in the visual arts] … wasn't." The encounters of women, the visual arts and eros, that is, are so heterogenous and their boundaries so unclear as to make the category elusive. Of course women in the Middle Ages had sexual experiences, desires, fantasies, pleasures and pains; and of course we cannot have direct access to the experiences of the long dead, though we can converse about them. But the very nature of artistic representation, whether visual or textual, means that such desires and pleasures become shared property, which cannot be said to belong to