“…In previous studies, learners could acquire the statistical regularities that are involved in transitional probabilities and are embedded in speech tone (François & Schön, 2014;Saffran, Aslin, & Newport, 1996;Saffran, Johnson, Aslin, & Newport, 1999;Saffran, Loman, & Robertson, 2001) or chord sequences (Jonaitis & Saffran, 2009;Smith & Melara, 1990), with no specific knowledge of language and music domains: phonemes, syllables, syntax, and pitch classes (Hauser et al, 2002;Jackendoff & Lerdahl, 2006). Statistical learning has been demonstrated in not only behavioural but also neurophysiological results (Abla, Katahira, & Okanoya, 2008;Daikoku, Yatomi, & Yumoto, 2014François & Schön, 2014;Furl et al, 2011;Koelsch, Busch, Jentschke, & Rohrmeier, 2016;Paraskevopoulos, Kuchenbuch, Herholz, & Pantev, 2012;Schön & François, 2011 According to previous research on music perception, pitch perception may partially depend on the domain-specific processing component called pitch class, which is a set of pitches that are separated by one or more octaves (Drobisch, 1855;Fig. 1).…”