This article examines the 2014 insurrection and the 2015 resistance in Burkina Faso as "critical events," in the sense of the term as suggested by Veena Das (1995), to explore the interaction between street level struggle and social media activism. More specifically, I seek to understand the way in which images and video-clips shared online became vehicles of political change in Burkina Faso. The images and video-clips shared online by the Burkinabe people soon came to constitute grassroots representations of the "new Burkina Faso." Once the days of the revolt were over, DVDs and CDs with video-clips and images were copied, multiplied, and sold by petty vendors in the streets of Ouagadougou, alongside more professional productions documenting this particular period of Burkinabe history. Taken together, I argue that such a documentation was part of memory making and, by extension, memory marketing of the 2014 insurrection and the 2015 resistance, and furthermore articulated the political legacy of the late President Thomas Sankara. In this vein, the critical events of the 2014 insurrection and the 2015 resistance changed the manner in which politics was practiced, while being inscribed in the longue durée of Burkinabe popular struggle.